Film Quotes
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He Taika Watiti worked on this screenplay for a couple of years and just getting it right and the result is there. He's made really close to a perfect film Hunt for the Wilderpeople... Perfect as you can be.
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Don't shy away from producing your own film and being in charge of its business end as well.
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I find that in preparation for a drama you can do a lot of character work and develop the character and know what you want to achieve and project throughout the course of the film.
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No film is made without the people behind the lens. Of course, most people, even I, tend to look at films in the most simplistic way, and say, "Wow, so-and-so is in this film." We talk about who's in it, as opposed to who got it made. But there are financial and technical aspects which go along with it, that should be addressed and acknowledged, including those minorities who are doing excellent work as well.
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I enjoy the details. I enjoy coming up with ideas for improving the script, changing scenes and deciding what locations and wardrobe should be - the process of making a film.
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To me, the box-office is basically the cost of film. If your film costs so much and your box-office is so much and a bit more, you are okay.
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No doubt about it, in my career Ron Lyle hit me the hardest. One time he hit me so hard I didn't see it until I saw it on film when I woke up!
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I already played James Dean in a film called Race with Destiny, but it hasn't come out yet.
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A film is the reflection of the soul of its creator.
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One of the curious things about censorship is that no one seems to believe in it for himself. We want censorship to protect someone else— the young, the unstable, the suggestible, the stupid. I have never heard of anyone who wanted a film or speaker banned because otherwise he himself might be harmed.
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Ive never seen a more terrifying film than 'The Bababook'. It will scare the hell out of you as it did me.
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With all of my films that are on DVD and Blu-ray, I have spent weeks with them in a color timing room. Just changing or enhancing them. I have been desaturating the color. Sometimes I will make a scene bluer or redder. I do use the new medium. I believe in it.
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I'm a big fan of Alan J. Pakula's films like 'All the President's Men', 'The Parallax View,' and 'Klute.' I'm a big fan of those movies.
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I've picked passion-driven businesses where I create a concept, or produce a film, from scratch. You have to be tenacious to overcome the constant objections.
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Though poor and anxious to work, I refused to alter anything. They would take me as I looked or not at all.... Eventually I profited by looking like myself and not like what was fashionable years ago with certain film technicians in Rome.
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I think that one of the most exciting things about making films is the sort of reaching out to the world. It's as an ambassador. You realize the more you travel that you are a cultural ambassador for your own country. You never become more patriotic than you do living abroad.
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There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
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Plays can outlast even the opinions of the chief film critic of The New York Times and that reviews, although they feel devastating in the immediate moment, are not remotely as significant as the significance you endow them with on the day that they appear.
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I've made six or seven good films. The others, not so good.
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A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.
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In my early days, I didn't know what a good film or a bad film was, and I was trying to make some money. As it happens I was lucky. I made some good films.
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To think of a film from the point of view of a tank barrel is already so inhumanly positioned. This is when film can reveal itself scandalously.
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I think, for me anyway, music and film is where you can really transport yourself to another universe.
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I used to like Barbra Streisand films. It was Funny Girl that really turned me on, in a sense, to acting. I remember it specifically being a rainy Saturday afternoon. I couldnt play football, so I stayed in, and I watched Funny Girl.