Film Quotes
-
Doing a film and doing a TV show are poles apart. They are two different things, cannot be compared, but I enjoy doing both, as I love what I do.
Erica Fernandes
-
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
Cary Fukunaga
-
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
William Friedkin
-
Michael Bay and his team are experts in exciting tentpole-type film and television, and the combination of their film experience plus the great television writers that have come on will be really successful in bringing us something really unique. We are looking to put on these big canvas shows, and Black Sails is going to fit into that. The scripts have been terrific. Everything that we are trying to do is incredibly ambitious, and this is certainly in that category.
Chris Albrecht
-
Film is fragmented and gets into lots of other people's hands. There are a lot of pleasures that theatre gives me. You get to perform uninterrupted.
Willem Dafoe
-
I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.
Henry Rollins
Black Flag
-
I did the film because it is a personal thing for me. Besides its production values as a film, it has its story, its intrigue, its drama.
Moustapha Akkad
-
Toy Soldiers was my introduction to film. I certainly didn't think I was doing art by any stretch of the imagination.
Tim Robbins
-
That was pretty wild to be shooting at Universal Studios. It was my second film and to be on the backlot at night with the fake rain and lightning and you look up and there's the Bates Motel house and all of a sudden Anthony is talking to you, man. There I am with a crew of one hundred and fifty people around, but you're in between this little space called action and cut talking to Norman Bates - I mean my God! You know what I mean? It's been a wild ride.
Jeff Fahey
-
What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
Scott Eastwood
-
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
Mike Figgis
-
I don't like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.
Damian Pettigrew