Miranda Richardson (Miranda Jane Richardson) Quotes
The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
Quotes to Explore
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As a mom, I don't have much time for beauty.
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Disrespect toward Jesus, as we have seen all too often in our society, is very offensive to Muslims.
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I have a natural right to do whatever I want with my body... as long as it doesn't affect anybody else or any other property.
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As the future is never known with certainty, the evaluation of the prospective benefits requires the formation of expectations. An acceptable house, partner or job, then, is one that offers an expected stream of future benefit that has a value in excess of the option to continue to search for an even better alternative.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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The capability of negotiating... is something that means you not only have to understand fully what you believe and what your national interests are but in order to be a really good negotiator, you have to try to figure out what the other person on the other side of the table has in mind.
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I don't want to be liked. I want to be respected.
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For me, it's not necessarily interesting to play a strong, fearless woman. It's interesting to play a woman who is terrified and then overcomes that fear. It's about the journey. Courage is not the absence of fear, it's overcoming it.
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I'm not quite as cool as I would like to be, really.
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I've come up in the scripted world, and I have wished there were more time slots for us to tell compelling scripted stories and not fill the airwaves with a lot of fluff and tabloid entertainment.
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I directed the men in our barque to approach near the savages, and hold their arms in readiness to do their duty in case they notice any movement of these people against us.
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The funkiest housing in Holland is for low-income, and I think that's very nice.
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What is this 'mac and cheese'? Is that a black thing?
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I'm still shy - I'm no good at my children's parent-teacher conferences, and I'm slowly learning how to ask for what I want. But I now know that I have a reserve of courage to draw upon when I really need it. There's nothing that I'm too scared to have a go at.
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One tries to be an observer as an actor and indeed as a director because the small things, the give-away things are what are really interesting to a performer.
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When I started dating I had this kind of Romeo and Juliet, fateful romantic idea about love which was almost that you were a victim and there was a lot of pain involved and that was how it should be.
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I did software development for a while, and I also spent several years directing a nonprofit in San Francisco that did computer education for the poor. I also did a lot of work in fast food.
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It's every little girl's dream to go onto the World Cup.
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One thing that I do ask myself when I'm in the creative process is, 'Does the world need this?'
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I have been making hip-hop since I was a kid growing up in New York in the '80s and '90s. It's always been a hobby of mine - I've been making beats and writing songs for as long or longer than I've been acting.
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Anybody who has ever done anything knows that, when you believe, it doesn't matter what other people think. You just have to keep finding a way to align your vision with other people who will receive and accept your vision. And when the time is right, if it is for you, it will show itself, if you believe.
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We can no longer tolerate losing one more innocent child or putting one more firefighter at risk in a fire that could have been prevented at the cost of pennies by making a couple simple changes to the construction of a cigarette.
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I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.
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The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
