Film Quotes
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There are a lot of filmmakers I love whose work doesn't inspire mine at all. For example: Quentin Tarantino. From his films you can see that he has a wicked sense of humour, and I love that!
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I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better.
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I've often sat down with people talking about a film I've been in, and they haven't realized I was in it.
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When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
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It's hard for me to approach a film as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.
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I'm happy - at times - making films. I'm certainly unhappy not making films.
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I think, for me anyway, music and film is where you can really transport yourself to another universe.
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He Taika Watiti worked on this screenplay for a couple of years and just getting it right and the result is there. He's made really close to a perfect film Hunt for the Wilderpeople... Perfect as you can be.
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Flashback in film rarely works.
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Every film starts with the script.
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A theatrical on a tight budget really only becomes about generating critical reviews for you and your film, not revenue.
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Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.
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If the overall quality of your film depends on what you shot it on, you aren't ready to make a film.
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About my work, my first film, Écoute le Temps (Fissures), was positioned by distributors as a thriller because they thought that it would sell more easily. But it was surely a mistake, as that kind of viewer did not take the bait, and it drew away its potential core audience, those whom I met in festivals and in various Q&As who seem to appreciate that particular kind of cross-over arthouse film.
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New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.
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I don't think that you can be prescriptive about anything, I mean, life is too complicated. Maybe there are novels where the author has not in the least thought about it in terms of film, which can be turned into good films.
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I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
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Look, it's very easy to sit here right now with some films in the bank that I like and think I have a shot and feel pretty cocky. But, you know, three years from now, I could very easily be saying, 'Paper or plastic?'
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I don’t want to be an editor! I don’t want to direct; I’d be a horrible director. I don’t want to write - I have a “story by” credit on one film I did. And I don’t want to edit at all.
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There's a book called Mummy and the people actually seem to have become addicted to mummy dust. And mummy dust was somehow made from people who've died of the most loathsome diseases. It's too bad that [David] Cronenberg didn't see this book, see I only saw it after the film was made. It might have been of interest to him.
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With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
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It took a while for me to be able to sit in a room of studios and financiers and say, "I'm not some hoity-toity actress looking for a vanity deal - I really know how to make a film!" In order to do that, you've got to break your f-cking back.
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Records are only one-dimensional. Even film is only one-dimensional. That's why music and live theatre is so important, because it's not the same thing. A recording is just a record of part of the experience, but it's not the whole experience.
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There's no other way but struggling, forging ahead to do the film.
