Film Quotes
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I think, for me anyway, music and film is where you can really transport yourself to another universe.
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I've always had the fantasy of doing a boot camp for a military film, at some point. I've always wanted to know what the experience is like, to feel that mounting pressure of going off to war and needing to be so present and physically aware of your body because you ultimately need to fight for your life and for your country.
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I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
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A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.
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Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success.
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Film and stage are very different; I don't necessarily prefer one over the other. Every few years, I get a big itch to go back to the theater. To learn humility, to learn bravery and to remind yourself that the pistons that drive your craft are working on full power. And to remind yourself how badly paid actors can be.
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I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
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Don't use your film for ugly purpose.
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I've been on lots of film sets. I've produced films and written films and been around, so it wasn't my first rodeo in terms of that stuff. Nothing particularly surprised me, I have to say. I came in and I enjoyed the first day and I enjoyed the last day.
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Spielberg's film portrays Oscar as a hero of this century. That is not true. Neither he nor I were heroes. We were just what we were able to be. In war we are all souls without a destiny.
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Once you prove yourself, that you're a utility player, they're going to contact you and say, hey, yeah, we need you for a film next Thursday at Fox or Sony or whatever. You kind of get a reputation.
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I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.
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I decided that one day I had to make a film where the viewer couldn't possibly guess the end.
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If people can see you in a film and not realize it's you until the very end, that's exciting to me.
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A good film is also a documentary.
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So, as opposed to getting people in to read the script and read scenes with me, what I wanted to do was sit down and chat to these people and just say, "Okay. Do you share my sense of humor? Do you understand what this film is getting at? Do you know the tone that we're trying to get to?" And it was interesting.
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One of the things I did early on in film was over-enunciate and talk too loud.
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I've always wanted to keep my foot in film as well as theatre and be working in both worlds.
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When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
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A significant number of people believe tribal people still live and dress as they did 300 years ago. During my tenure as principal chief of the Cherokee Nation, national news agencies requesting interviews sometimes asked if they could film a tribal dance or if I would wear traditional tribal clothing for the interview. I doubt they asked the president of the United States to dress like a pilgrim for an interview.
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My film is not a movie; it’s not about Vietnam. It is Vietnam.
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The opportunity to shoot and get the depth out of the film - that I don't think you can get out of digital - is a huge deal for me.
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I already played James Dean in a film called Race with Destiny, but it hasn't come out yet.
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The thing that is most important is to feel like you're at the front of the line, to be prime or primer. I definitely never wanted to say that in the films, but that's where it comes from.
