Film Quotes
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I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it.
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Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.
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Though poor and anxious to work, I refused to alter anything. They would take me as I looked or not at all.... Eventually I profited by looking like myself and not like what was fashionable years ago with certain film technicians in Rome.
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The differential between the bubble we live in — which is ‘ordinary life’ — and the reality out there is almost as heavy as what is being depicted in a film like ‘the Matrix’. It could make you puke to make that step towards finding out what’s really going on.
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There's no other way but struggling, forging ahead to do the film.
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Flashback in film rarely works.
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The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
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Every decent director has only one subject, and finally only makes the same film over and over again. My subject is the exploitability of feelings, whoever might be the one exploiting them. It never ends. It's a permanent theme. Whether the state exploits patriotism, or whether in a couple relationship, one partner destroys the other.
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I think sometimes when you're working consistently in film, and maybe this is just me, but you do feel quite dislocated from your audience.
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I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.
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I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.
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I'll go to the movies and hear 'Angel From Montgomery' in some film, and nobody ever even told me about it. They don't tell you your stuff is going to be in a movie. They don't have to, so they don't tell you. You get paid eventually.
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It was a black and white film at first. And then it changed to colour film, and I was surprised and culture shocked when I was six or seven years old. And then HD, then 3D now. So what's going? What's coming next? It's so exciting.
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A theatrical on a tight budget really only becomes about generating critical reviews for you and your film, not revenue.
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Film is a time capsule. If I have a lack of dedication or focus, it's permanently there as a negative reminder.
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The written word can be powerful and beautiful - but films transport us to another place in a way that even the most evocative words never can.
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With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
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Truffaut loved actresses, and he was very intense. All the actresses I knew wanted to do a film with him.
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Connection is what one is after in probably most media, but certainly in film, which is an immersive medium.
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My dream really is just to keep working in film and in theatre.
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When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
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I directed the first "Twilight" movie. It was in my contract that I could have gone on to do the other films, but I didn't feel as connected to the other books.
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The most frustrating part of working in TV and film is that you have to convince someone to let you make what you want; in comics you can do whatever you want and for 1% of the budget of TV and film.
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It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.
