Film Quotes
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Just trying to get a film made which is always difficult no matter what kind of a budget you have. Not having a budget makes it even more difficult. Having nineteen days and no budget makes it extremely difficult.
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Every film can be fun, even if it's a terror.
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I would love to make Madhuri Dixit dance. If I do a film with her, it definitely has to be a 'Madhuri Dixit film'. I don't want to cast her in a small role. I will do a full- fledged dance film with her.
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I've always been fascinated by Asian culture, and I love that women can play the lead in a horror film.
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Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.
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The last film is always the most important.
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On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.
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In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
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Strictly Business' is about a young black man who is learning about himself, and that applies to a lot of young black men, those who are trying to find jobs. This film gives them a good look at that situation.
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While I was doing the residency in Paris, I found out that I was chosen as one of the five winners of the Focus Features Africa First Program. All this happened less than a year after I made my first two short films.
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I love that this film Into the Forest has a balance.
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Making a film is to make sure that everybody looks forward to coming to work.
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Bad films gave me the courage to try making a movie
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I feel that film, as opposed to theatre, is about capturing that one, real moment.
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I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.
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Every film has to be the next something else; originality isn't celebrated because you can't market it.
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I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
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But the biggest challenge overall was narrowing down the complex narrative elements into a clean and straightforward story while maintaining a sense of the cultural context that makes the film special.
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I spent 30 years of my life not being wanted at all for films.
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Howard Hawks said he'd like to put me in a film with Cary Grant or Humphrey Bogart. I thought, "Cary Grant-terrific! Humphrey Bogart-yucch."
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My sense is that you can make a film under almost any circumstances. As long as someone has a vague idea of what he's doing, something distinctive will emerge. That, to me, is what film making is all about.
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Every film you do, you always look at it and you think, "I could do better," but I'm never going to tell people what I could do better. I think it's up to them to make up their own mind.
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Three directors whose work directly influences mine are Paul Thomas Anderson, Darren Aronofsky and Susanne Bier (her Danish films). You'll notice that they all don't make feel good movies, same as me, and their films are always visually simple but beautiful (and I hope mine are!).
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Acting is not a competition; everything must be done for the good of the film or else everybody loses.
