Writing Quotes
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Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a lot of action to keep her interested, you must offer something else in its stead. Slow pace is ideal for complex character development, detailed description, and nuances of style.
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Things just kind of stick with me, and writing, for me, is always an investigation into my own feelings about them. I wonder why things stick to me, and I try to synthesize those into a dramatic experience in some ways.
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I don't think of work between albums. Of course, I go through regular life and I live and I experience different things, good and bad, and it does help me, but I don't think about writing or what I'm gonna do with whatever's going on while I'm going through it.
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I think I wrote 'The Trysting Place' in about three weeks. But it was inexperience that made me have to do that. I didn't feel good about the book all the time I was writing it. It felt a bit like wading through molasses.
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I get very deep into the writing and recording process.
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To be honest, what I struggled with in my degree is what's so helpful when it comes to social media in that I lack focus. I'll start reading about evolutionary biology and end up on quantum physics. While that makes writing your dissertation very difficult, for a page like IFLS, that's amazing because I get a wide range of everything.
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Good things, when short, are twice as good.
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Make sure to answer these (3) empowering questions everyday (preferably in writing): Q1-What am I grateful for? Q2-What am I proud of? Q3-What results am I committed to creating today? -> Start now!
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When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
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I have epiphanies all the time, because I'm always thinking. I'm a thinker. I'm always writing poetry, I'm always coming to conclusions.
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I started writing music with my cousin at, like, 16 and traveled with a '70s band.
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With my human rights advocacy, that's always been through my writing. I've always tried to write articles and contribute to journals and a lot of online journals - about human rights, especially Palestinian human rights. I find the time to do things to do things I'm passionate about, because I find enjoyment in them. I just have to juggle.
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I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.
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The problem as you get older is, from my perspective, after a certain amount of songs, you tend to start writing something and then you stop and say, 'Wait, I think I've written that before.'
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Writing and playing songs is something that I've loved doing since the day I started. It's never been a chore; it's always a hobby. To be able to do that from day to day makes me believe I'm a very lucky person.
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David Mamet's writing is pretty spectacular, obviously. I like the honesty of it; I like how funny it is and how sad it is.
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Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
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I don't mind playing my music live. It's fun. But what my real passion is is writing music.
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I always imagined a writer was someone who lived in an attic in Paris, but my mum instilled in me a belief that I could do anything - so I ended up writing my first novel while working nights as a news reporter.
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My advice for writers is to get a good day job. It takes the pressure off writing if you have a job that pays the bills.
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So it was just a case of getting a bunch of songs that I had been writing for years but hadn't recorded together, and the result was My Own Best Enemy.
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My first true lesson in writing came from Mr. Bowden when I was 16. At my high school, he was the teacher known to be the very best at literature and writing.
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A pathological business, writing, don't you think? Just look what a writer actually does: all that unnatural tense squatting and hunching, all those rituals: pathological!
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I have always thought of poetry as an act of celebration. Just by nature of writing a poem you are taking the time to dwell on whatever it is that you're writing about...you can be celebrating anger, you can be celebrating sorrow... you are spending the time to focus and observe and try to understand the various parts of being human.
