Writing Quotes
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Independent graphic novelists have already achieved good work in terms of design, but all these great minds are writing in English. There is a need for people to write in Hindi.
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Dialogue is generally the worst choice for exposition. When you're writing lines you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.'
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Our house has a library - it seemed better use of the space than as a dining room! - and I try to spend as much time in there as possible. There's nothing better while reading or writing than to be surrounded by books.
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Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
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It's an extension of what I do also as part of making my living - I go into schools and work with kids on writing, and I do assembly programs often. Each one is different because each school has different requirements.
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What's the challenge in writing a novel that few people will read? I'm more than happy writing what I do and have no plans to change that.
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There are two different ways of writing a novel. The first I call the traditional father way, when the novelist slightly situates himself or herself above the text and knows what each and every character is going to do. It's a bit like engineering. I've never felt close to that tradition. I like the second way, which relies a bit more on intuition.
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As I sit here writing and look across the room at Janice, I keep thinking of the most heartbreaking question: which of us will go first?
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I write when the urge hits me, getting the words down as fast as I can type and then I step back from what I just wrote and start a dialectical process where I begin challenging my own writing.
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When you're writing you're affected by everything that's going on around you.
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To me, writing is the most fun. It's not always fun, but finally when you make it come out the way you want, it's then you can say, 'It's fun, boy.'
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I try to treat writing as part of my daily routine: I write for at least two hours, five days per week. I tend to write at home, in a room I've set aside for the task. I don't work well in cafes or busy, loud spaces, although I wish I could. It would mean greater flexibility for me.
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It certainly made a film writing career for me.
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What was once Sinclair Lewis is buried in no ground. Even in life he was fully alive only in his writing. He lives in public libraries from Maine to California, in worn copies in the bookshelves of women from small towns who, in their girlhood, imagined themselves as Carol Kennicotts, and of medical men who, as youths, were inspired by Martin Arrowsmith.
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I am not writing in metaphors. I am writing about catastrophes.
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Writing genetic code like we do software will usher in a completely new way of living for all of us. When this happens, our society will be as fundamentally changed as we have seen from the invention of computers.
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It was actually the movie 'Rushmore' that made me first realize that I could try writing, but 'Cheers' is the best show ever. The writers on that show created a relationship that writers today still fail to rip off successfully: the Sam and Diane.
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You hold the pen like a needle in a seismic observatory, and in fact it is not we who write, but rather we are written. Writing means to read oneself
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The fact that companies are getting into building power plants that collect their own CO2 on-site shows there's some leadership in that industry. Some industries have seen the writing on the wall: that carbon will have to be managed.
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I started writing screenplays myself and eventually directing.
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Schools are really bad now. Schools are not only bad in reading, writing and arithmetic, they're worse in cultural aspects, like in music and art. They don't teach you anything.
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In good writing, the contemplative and the exciting happen at the same time.
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General writing about science, even if we do it badly, helps us to see our work in perspective and broadens our vision.
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Often times, I'm surprised by what I'm writing or what I'm playing, and then that inspires me to keep going with it, so it ends up being a very adventurous process.