Writing Quotes
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I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.
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Stuff just comes out all the time, sometimes when I sing live it really comes alive and I sort of... I write songs and then almost... not forget about it, but live it really comes out and I suddenly realise what I've written. I don't know where it all comes from.
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I find writing a book a slow, intricate process, a kind of obstacle course punctuated with great rewards. But research is always thrilling, and I tend to incorporate newfound material up to the very last minute.
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You know, the process of making a documentary is one of discovery, and like writing a story, you follow a lead and that leads you to something else and then by the time you finish, the story is nothing like you expected.
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When I was a teenager, I loved photography and writing.
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I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.
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Raymond Roussel said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
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I had a fascination with the roots of African American music. That would have been my first education in music. I had a real passion for it. I wanted to play it, sing it. I could sing at a young age, but I started to teach myself bass guitar and started writing when I was 15.
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We expect to keep our writing sessions going until late spring, then to play some new material in a few secret club dates. The record will likely take a long time and may not surface until 1999!
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I definitely write about my life and the issues I might have or the dilemmas I'm going through, but usually I write about it in a general way and make metaphors. Like "I'm the wolf and you are the moon ".
Nanna Øland Fabricius -
For many years I was engaged in journalism, writing articles and chronicles for the daily press without ever joining the staff of any newspaper.
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It certainly made a film writing career for me.
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I don't mind writing so I didn't find that difficult, it's just a question of finding the time to do it. I kind of like the direct connection with the fans actually, it's pretty neat.
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I was always into pop music, Destiny's Child, songs with catchy music. Even when I was writing when I was younger, it wasn't all about expressing myself; it was just about making fun music.
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Orwell is almost our litmus test. Some of his satirical writing looks like reality these days.
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You're too busy writing the next book to worry about Googling yourself all the time.
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Writing is self-taught. Consulting other people only teaches you to depend on their reactions, which may or may not be legitimate. Quit looking for approval ... Learn to evaluate your own work with a dispassionate eye ... the lessons you acquire will be all the more valuable because you've mastered your craft from within.
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I prefer my writing to do all the talking for me.
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People ask me: "Why do you write about food, and eating, and drinking? Why don't you write about the struggle for power and security, and about love, the way the others do?" . . . The easiest answer is to say that, like most other humans, I am hungry.
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I tend to write longer narrative pieces after I've finished writing a novel - when the fiction's finished and put away, and I have a chance to take all the ideas that are buried inside of my novels and work with them directly.
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I had all these sparkles I'd collected and wanted to work in, but when I originally started writing it and it was originally this novel about all these people set in 1666, what I was so interested in was the New Science.
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When I was writing 'Withnail,' I was so busted flat that I had one lightbulb that I would carry around the house with me. I mean, really. No furniture, no money, and I was hoping to be an actor, but I could never get a job.
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The victory of the show is in the writing. Coming up with sketches and stand-up bits. The rest is just hitting buttons on a machine more or less.
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For me, writing isn't a way of being public or private; it's just a way of being. The process is always full of pain, but I like that. It's a reality, and I just accept it as something not to be avoided.
