Writing Quotes
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This particular one was very, very heartwarming and is the relationship of an older man and a young boy that are essentially on the run. And so yeah, as I say, Barry Crump wrote a lot of books and this one got into the hands of Taika Watiti who then writing the screenplay decided to really vamp up if that's the word, or ramp up and modernize certain phrases - getting in the humor. So he added a lot of a real comedy perspective onto it which is what I think the story needed anyway, especially for it to turn into a film. And it worked.
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For TV I don't think I could have gotten a better part than Uncle Junior because of the intimacy of the character based on David Chase's brilliant writing.
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Sourav is a very positive captain. Whatever his personal form, whatever the media writes about him, he has always been strong, focused and aggressive. Perhaps these are the qualities that make him India's most successful captain.
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a man who has decided upon self-destruction is far removed from mundane affairs, and to sit down and write his will would be, at that moment, an act just as absurd as winding up one’s watch, since together with the man, the whole world is destroyed; the last letter is instantly reduced to dust and, with it, all the postmen; and like smoke, vanishes the estate bequeathed to a nonexistent progeny.
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I was always interested in acting and writing, and I honestly thought I'd make my name as a scriptwriter one day. But somehow, I ended up in London in the early '70s, and that's where I had my David Bowie adventure.
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I think 'Cool Hand Luke' was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.
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New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.
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I wanted to be the girl that talks about getting a guy. I felt like that was a different approach to writing.
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If I did anything 'next', I would do writing.
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It's not just about acting. I love film, I'm a director now, I love writing, I love producing, I love having a company that makes films and to be prolific and have a place to put all the ideas that are constantly bubbling up inside of me and that don't let me sleep at night.
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I have yet to meet very many people in the press who are really, truly interested in writing a good story or getting at the truth. Most press people, when they come into an article, have an angle that they want already, so they need points to support that angle, whatever the angle may be.
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Only ambitious nonentities and hearty mediocrities exhibit their rough drafts. It's like passing around samples of sputum.
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In Mudcrutch we all wrote songs, and when it got to the focus on Tom and the Heartbreakers, I kept writing songs, but it wasn't anything that was up the Heartbreakers tree, I didn't think - and I don't think they did, either. So I kept writing songs for the hell of it, but I didn't want to make a record just for the sake of making a record.
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We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane.
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In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
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I've been writing plays since the seventies and only came to moviemaking when I basically realized that I needed some money to pay the rent. I started to watch films with an eye to figuring out how to write them.
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I don't care what other people think any more about me writing my own parts.
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Writing about feeling disconnected has enabled me to connect, and that has been the most lovely thing of all.
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I do have fun writing, and a long time ago, I told myself, 'You got to have fun at this, or it'll drive you nuts.'
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It's strange: I've done so many things up until I did 'Obvious Child,' including writing children's books and making 'Marcel the Shell.' To me, the through-line is incredibly clear: it all comes from wanting to be connected to my own inner voice and not wanting to be on somebody else's agenda if that means that I can't be myself.
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You know, I became a director out of necessity. I was writing comedies, and I couldn't find anybody to deliver it correctly.
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While writing a novel, I don't read anything new in fiction. I am too engrossed.
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I would willingly pass my life writing and re-writing the same book - that one book every writer carries within him - the image of his own soul.
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Honestly, I don't focus on what my writing is called. I don't mean to sound artsy and pretentious, I just really can't think of things in that way. For me, the point is telling a story that keeps people up past bedtime, while hopefully exploring ideas that resonate.
