Writing Quotes
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I think of a child's mind as a blank book. During the first years of his life, much will be written on the pages. The quality of that writing will affect his life profoundly.
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Our sufferings and weaknesses, in so far as they are personal, are of no literary interest whatsoever. They are only interesting in so far as we can see them as typical of the human condition.
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I am a person who can't teach writing or make a living in any public way, as I get confused when interrupted or overstimulated. In a classroom or crowded room, I all but blank out. So my only income is from novels.
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My first semester, I got a D in creative writing.
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You don't write the kitchen scene just because you're eager to do it that day and you're avoiding something else. I think it has to move slowly, step by step. I pride myself on the construction of my stories but it's not something I impose on them.
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I'd written Smashed not because I was ambitious and not because writing down my feelings was cathartic (it felt more like playing one's own neurosurgeon sans anesthesia). No. I'd made a habit--and eventually a profession--of memoir because I hail from one of those families where shows of emotions are discouraged.
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I don't want to deal with the underneath while I'm, you know, while I'm making it or while I'm writing it or when I'm making it. Because again, I don't want to hit these nails on the head too strongly.
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I know I'm really good at writing for the theater. I can deny it all I want. Other people can fight me on it. It doesn't really matter. It's the thing I happen to know is my gift.
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I'm passionate again about writing. This is important to me; it's got to be the comeback book.
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'Zero Dark Thirty' is a great piece of filmmaking and does a valuable public service by raising difficult questions most Hollywood movies shy away from, but as of this writing, it seems that one of its central themes - that torture was instrumental to tracking down bin Laden - is not supported by the facts.
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I love the physical act of writing as well as how I grow which each situation I put on the page.
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I'm not a born writer, and I don't enjoy writing.
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With writing, there are multiple drafts. On stage, there is one take. I do a lot of preparation for shows, so, for the most part, what you hear me say is pretty much what I wanted to get at.
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I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
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I was writing country songs, but I wasn't listening to country yet. I grew up on a farm in East Tennessee, so my roots are country, you know? But I didn't know where those songs came from or where they fit.
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can only write about what bites you.
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Writing, producing and directing, I must say, is incredibly satisfying and gratifying.
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I've seen a lot of patriots and they all died just like anybody else if it hurt bad enough and once they were dead their patriotism was only good for legends; it was bad for their prose and made them write bad poetry. If you are going to be a great patriot i.e. loyal to any existing order of government (not one who wishes to destroy the existing for something better) you want to be killed early if your life and works won't stink.
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It is possible to have a pretty good life and career being a leech and a parasite in the media world, gadding about from TV studio to TV studio, writing inconsequential pieces and having a good time.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot. It's strange: people have asked me what my schedule is and what is my process like, and I can't even answer it. I don't keep regular hours.
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The only protection as a historian is to institute a process of research and writing that minimizes the possibility of error. And that I have tried to do, aided by modern technology, which enables me, having long since moved beyond longhand, to use a computer for both organizing and taking notes.
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When writing about Edinburgh, I place my characters in the parts of the city that I myself have lived in, or else know well, those being the Southside, Marchmont in particular, where I lived as a student, and the New Town/Stockbridge area where I live now and have done for the past 30 years.
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The jaws of power are always open to devour, and her arm is always stretched out, if possible, to destroy the freedom of thinking, speaking, and writing.
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I've been writing 'Green Lantern' for a long time, and one of the reasons I've enjoyed it is because the depth of stories you can tell is pretty endless with space and everything.
