Writing Quotes
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My total year's income from working as hard as I possibly could from writing went from like $30 one year to about $70 the next year. And it made me realize that maybe you couldn't really pay the rent that way.
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Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
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I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
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Writing about craft has forced me to think more about my own writing technique, and to break down my process in ways that have been enormously helpful to me.
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If you're writing, it means getting up and writing all day, and if you're filming, it's getting up and filming all day. I get up, go to my computer, write, turn it off, and go to bed. That is a Clarkson day.
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In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.
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Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone.
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I'm a writer who stacks cat food for a living. It's true: I have a master's degree in creative writing, I've published two critically successful books, and I get paid to replenish the shelves of my local food co-op with pet food, sponges and toilet paper. Nine days out of 10, I do it quite happily.
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I never really thought of myself as a TV critic. I was presenting TV before I was writing about it.
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I would also argue that there is a good chance that an outline will help you stave off any onslaught of writer's block. Let me advise you right up front that I am not a big believer in writer's block. I think writer's block is God's way of telling you one of two things - that you failed to think your material through sufficiently before you started writing, or that you need a day or two off with your family and friends.
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Some sounds are coming from the keyboard and they are very important in the writing process, but on the other hand, we have melody and we have the song before, so if the keyboard sound fits very well, it takes its artistic direction. We play the machines and the machines play us.
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Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.
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I love discussing the ins and outs of the collaborative nature of writing.
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My feeling is that writing Fantasy should be harder - not easier - than writing any other kind of fiction.
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I've always expressed myself best through writing. I've gotten out all of my deepest feelings that way for as long as I can remember.
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I don't like characters who are either good or bad. I just don't experience that in life, so my writing hasn't evolved that way.
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I worked at magazines for over 10 years before I even thought of writing a book.
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Publishers often push women in a subtle way to focus on fantasy and paranormal writing.
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I was writing songs by 12 and had a band by 14.
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The best writing is not about the writer, the best writing is absolutely not about the writer, it's about us, it's about the reader.
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'Sunday Morning Coming Down' is probably the most directly autobiographical thing I'd written. In those days, I was living in a slum tenement that was torn down afterwards, but it was $25 a month in a condemned building, and 'Sunday Morning Coming Down' was more or less looking around me and writing about what I was doing.
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There's never been a great fight without the writers taking on and finding an identity for it. That's probably what has happened boxing. Writers are not writing about us big boys anymore and I tell you right, however you feel, take something, find it, and use it because American needs something to read about.
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Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy.
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I left things out - my motivations, my history, my emotional responses - because I am not good at understanding them or writing about them. I tried and it was generally boring and always unconvincing. Most importantly I wanted to try to place Afghans and Afghanistan in the foreground rather than my own character.
