Writing Quotes
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Busyness, I feel increasingly, is the writer's curse and downfall. You read too much and write too readily, you become cut off from your inner life, from the flow of your own thoughts, and turned far too much towards the outside world.
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Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys. So it never surprises me. And if it's good writing, you can find your way into the part well enough.
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I'm realizing that the people who criticize what I'm doing, their intentions and comments are not actually real.There's nothing happening in the real world outside of whatever they're writing on the internet. Whereas for the people who feel inspired by what I'm doing, there's something so concrete and powerful in what's happening when they feel empowered. There's actually some kind of growth or self-acceptance, some kind of self-love that's actually being triggered, hopefully. And that's real.
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During the process of writing the book, I had this experience that was telling for me. I got it and the basic idea and got the plots and everything, but I wasn't sure who the audience was. I exist in this other world - in the book publishing and magazine world of people who would make fun of this project. We were driving home after two weeks in Maine, and we stopped in a gas station in Massachusetts and saw that Snooki had just been arrested. It was a surreal moment. My last few weeks were spent trying to get in this person's head, and there she was in on the cover of the New York Post .
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I started writing seriously when I was a teenager, around 14 years old.
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For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing.
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In my writing, I try to combine all my favorite elements of journalism - accuracy, real characters that exist on this planet - with all my favorite elements of literature: a sense of flow, of propulsion, of wanting to read every sentence.
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I have observed that vulgar readers almost always lose their veneration for the writings of the genius with whom they have had personal intercourse.
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She knew the intensity of adolescence, and knew no cure for it except growing up. And then one has age and experience, and mourns the loss of intensity. Maybe it's why musicians and mathmaticians are said to peak young-poetry needs the fire of an unbounded universe.
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I write of youth, of love, and have access by these to sing of cleanly wantonness.
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The secret to being a writer is that you have to write. It's not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.
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Changing writing styles is like an actor taking on a different part.
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I wasn't interested in writing music that wasn't beautiful for me to listen to.
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Not to sound egotistic, but I've gotten kind of good at it. It's something that came naturally to me, but my rapping is rooted in my writing.
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I know I'm really good at writing for the theater. I can deny it all I want. Other people can fight me on it. It doesn't really matter. It's the thing I happen to know is my gift.
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As far as poetry, I don't know if I've ever written any. I've read a lot. I just write and it comes out in different forms and shapes. I don't know if I'm any good at it I just really go for it and I'm very prolific book wise only because I own the company. No one tells me 'no' around here.
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In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.
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I talk to my readers on social networking sites, but I never tell them what the book is about. Writing is lonely, so from time to time I talk to them on the Internet. It's like chatting at a bar without leaving your office. I talk with them about a lot of things other than my books.
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The way you get your script to the right people is that you put it in an envelope. It's easy. The difficult bit is writing something that is so good people will take a punt on a brand new writer.
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Worry destroys the ability to write.
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In civilized societies, if you are offended by a cartoon, you do not burn flags, take up guns and raid buildings, chant death to your opponents, or threaten suicide bombings. You write a letter to the editor.
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I tell people to write the stories that you're afraid to talk about, the stories you wish you'd forget, because those have the most power. Those are the ones that have the most strength when you give them as a testimony.
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We can't make movies without scripts, and there's no cost to writing a script, so my advice to newcomers is do it yourself: Write your own script, shoot your shorts, edit your shorts.
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It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? For the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop.
