Jasper Fforde Quotes
I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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Albania is at risk and we are living in difficult times.
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I like the performing. And interviews, even. And the stuff that's not sitting in a room by yourself with empty paper. But I never loved writing, to tell you the truth.
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The correctness and quality of what you write do not matter; the act of writing does.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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There are three rules for writing a novel. Unfortunately, no one knows what they are.
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We all need to focus on our writing. Because the millions of readers out there don't care about your blog.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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There aren't a lot of 'Aha!' moments in writing.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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The hardest thing about writing my second album is that I had 20 years to write my first album.
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Storytelling is storytelling. Good stories need compelling characters and interesting conflicts. That's the bottom line no matter what medium you're writing for.
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There is creative reading as well as creative writing.
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The more violent the storm, the quicker it passes.
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You don't know what the country is ready for unless you're pushing that envelope, and I was told that I couldn't develop 'Will and Grace'.
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From an early age I was aware of what America meant, and how the Marines at Camp Pendleton were ready to defend us at a moment's notice. I also remember what fabulous bodies those troops had.
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I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.
