Writing Quotes
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I suppose I like certainty as much as anyone else, but I also feel that the hidden costs are high, that we pay a heavy price for our convictions. This is a human issue as well as a writing issue - at least in the personal essay as I practice it. Any real essayist knows that certainty is an editorial decision, arrived at not through conviction but through suppression, the denial of a whole range of possibilities, of alternatives that we jettison, sometimes necessarily, in order to steady the ship.
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Such is the art of writing as Dreiser understands it and practices it--an endless piling up of minutiae, an almost ferocious tracking down of ions, electrons and molecules, an unshakable determination to tell it all. One is amazed by the mole-like diligence of the man, and no less by his exasperating disregard for the ease of his readers.
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I'm personally attracted to great writing - that's what turns me on the most.
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If you want to write, you have to be willing to be disturbed.
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The further you go in writing the more alone you are. Most of your best and oldest friends die. Others move away. You do not see them except rarely, but you write and have much the same contact with them as though you were together at the café in the old days. You exchange comic, sometimes cheerfully obscene and irresponsible letters, and it is almost as good as talking. But you are more alone because that is how you must work and the time to work is shorter all the time and if you waste it you feel you have committed a sin for which there is no forgiveness.
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The only difficult thing is learning to recognise the interesting bits from those millions of moments life provides you with every day and writing down those snippets.
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I had always written. I had written stories and poems. Then I started writing plays.
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You're always moving and thinking about a whole bunch of things. But those traits work well for me in studios and in meetings about creative ideas. If you listen to the songs I write, they are the most ADHD songs ever. They have five hooks in one and it all happens in three minutes. I figured out a way of working with it.
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I'd been acting since I was a teenager. I'd come to the point where I was writing my own movies of the week for TV. That was fun.
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The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
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I started performing in college, but I wasn't writing a lot.
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There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you.
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Photographers direct the eye toward a particular object. We who write, one hopes, are directing the heart and the soul.
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When you say that you write romantic fiction, there are a lot of people who have an image in their mind of the 'bodice ripper.' It's the one term that most romantic fiction writers absolutely hate because it has no bearing on what people are writing.
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Everyone in the South has no time for reading because they are all too busy writing.
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Writing this record was the first time we felt really at home in a long time
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
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What I am best at is reading a book and then writing a critical essay.
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You write for the people in high school who ignored you. We all do.
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To be a well-favoured man is the gift of fortune; but to write and read comes by nature.
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[On writing:] The most egotistic of occupations, and the most gratifying while it lasts.
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In writing, the point is not to manifest or exalt the act of writing, nor is it to pin a subject within language; it is, rather, a question of creating a space into which the writing subject constantly disappears.
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Remember, with writing, what you’re looking for is just one person to come up and tell you, 'I love you for what you do.'
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I unplug the phone and close the door and just stick with it. I don't ever go out for lunch and I don't take vacations. I like to be awake when no one else is: either just before dawn in the morning or late, late at night. Silence helps.
