Writing Quotes
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	I look at writing as a medium of entertainment. You can get too precious about your stuff. It has to compete with everything else, like DVDs and CDs.   
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	To present a whole world that doesn’t exist and make it seem real, we have to more or less pretend we’re polymaths. That’s just the act of all good writing.   
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	I started writing when I was 13. I got my first electric guitar when I was 13, but I'd always been singing. I had my first little acoustic when I was six. But I started being in bands when I was 13.   
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	The mystical life is the centre of all that I do and all that I think and all that I write. . . . I have always considered myself a voice of what I believe to be a greater renaissance - the revolt of the soul against the intellect.   
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	When you are going through something that heavy, for me anyway, I couldn't imagine writing about anything else. I always tend to write about what's most prevalent in my mind.   
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	You care a lot about these stories you're writing, and you hope that someone else will care, too.   
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	I try to make sure that, when I'm writing, I don't put too much Cody in it. But I don't want to lose it either.   
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	Readers, after all, are making the world with you. You give them the materials, but it's the readers who build that world in their own minds.   
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	When I was first writing about Japan, it was at the peak of the Bubble. Bubble popped, but they kept on going. Japanese street style feeds American iconics back into America in somewhat the way English rock once fed American blues back into America.   
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	I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.   
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	Write good content about stuff that you love. Readers will find you.   
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	The problem with merely writing so that you can be understood is that the wrong people, in advancing their agendas, are only too ready to misunderstand you. Writing so that you cannot be misunderstood anticipates and preempts those who would willfully distort what you are trying to say.   
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	I have to write the story I want to write. I never wrote them with a focus group of 8-year-olds in mind. I have to continue telling the story the way I want to tell it.   
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	I don't intend to write the same kind of book for the rest of my life because I feel I would not be satisfied only writing in one mode.   
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	I had decided to be a magician well before I decided to be a writer. I was the little boy who would get up on-stage and do magic wearing a fake mustache, which would fall off during the performance. I'm still trying to perform those tricks. Now I do it with writing.   
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	Four basic premises of writing: clarity, brevity, simplicity, and humanity.   
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	I never sit down and write. I just sorta let things form in my brain.   
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	Each book gets harder, each book gets harder and harder. I always feel like crying when I have to write.   
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	I think that sense of unreality inspired me to write the story within the book that [August] Brill tells himself, one of the stories he tells himself.   
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	There are always dimensions, and the way they get expressed is through the writing and the actors and the director you get to work with on that day. But there are always dimensions, outside of really basic stuff for very young people where it needs to be very clear.   
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	It's funny because my main awkwardness around writing the song had little to do with the method.   
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	Well, I wanted to be a philosopher, which is the idlest occupation in the world. I wanted to be involved in abstract thought, but because of various problems with the authorities I wasn't able to pull that one off. A lifetime of idleness in academia would have really suited me. So I was thrown out, as it were. Other than that, there seemed no possible idle occupations, so writing . . . although writing isn't exactly idleness. There's an enormous tension between indolence and languor.   
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	You're always moving and thinking about a whole bunch of things. But those traits work well for me in studios and in meetings about creative ideas. If you listen to the songs I write, they are the most ADHD songs ever. They have five hooks in one and it all happens in three minutes. I figured out a way of working with it.   
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	I was a painter before I was a writer, so I was always a visual artist. And my writing, to me, was always visual.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					