Writing Quotes
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What's wrong with it is, it lowers, to say the least, the credibility of the magazine. And if I were writing for The New Republic, I would feel diminished because the owner had done such a thing fire a journalist.
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I don't claim anything of the work. It is his work. I am like a little pencil in his hand. That is all. He does the thinking. He does the writing. The pencil has nothing to do with it.
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I am writing this during my free . . . oops! un-assigned period, at the end of my first day of teaching. So far, I have taught nothing — but I have learned a great deal. To wit: We have to punch a time clock and abide by the Rules. We must make sure our students likewise abide, and that they sign the time sheet whenever they leave or reenter a room. We have keys but no locks (except in lavatories), blackboards but no chalk, students but no seats, teachers but no time to teach. The library is closed to the students.
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I see myself as writing biographies, the complete story of someone's life.
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My wife likes me better when I'm writing. It centers me and makes me more calm. When I go a long time without writing, I start getting frustrated.
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I love writing, it's the center of my life. If you don't love what you do, you'd better find something else to love. Otherwise, you don't have a reason for living.
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To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.
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My belief of book writing is much the same as my belief as to shoemaking. The man who will work the hardest at it, and will work with the most honest purpose, will work the best.
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I wanted to write a book that talked about the emotions of children, which is the rainbow. We all have moods. We talk about being blue when we're sad, and being yellow when we're cowards, and when we're mad, we're red.
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Born Losers is a beautiful piece of writing. Scott Sandage is history's Dickens; his bleak house, the late nineteenth century world of almost anonymous American men who failed. With wit and sympathy, Sandage illuminates the grey world of credit evaluation, a little studied smothering arm of capitalism. This is history as it should be, a work of art exploring the social cost of our past.
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In the earlier days I did most of the song writing by myself, and I got to a place in my life where I felt it was necessary to go outside my box and get some outside inspiration.
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I guess I'm trying to write stuff that I, as a viewer, would connect to.
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I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.
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The great artist is the simplifier.
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I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
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I didn't start really focusing on writing until I was 24.
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I was actually pretty miserable in high school. I couldn't wait for it to be over. And when it finally was, I remember sitting at graduation with all these classmates getting nostalgic and emotional already and all I could think was, "Get me out of here. I never want to see you people again." So it's ironic that I spend half my day putting myself back there by choice [while writing].
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Writers need each other.
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I did six series for the BBC and that was enough. I've been writing for ten years, which is more challenging artistically.
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How working for the wrong motives poisons our creativity and warps our ideas of success and failure.
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I don't want to live in a hand -me -down world of others' experiences. I want to write about me, my discoveries, my fears, my feelings, about me.
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Measure your minds height by the shadow it casts.
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One of the things I'm real proud of is I just made a deal with 20th Century Fox, and I've got my own production company now. I'm developing some television and movies for other people because I have a lot of fresh new ideas. To write is what I love the most.
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There's that area, right there, where you can be too hard on yourself or you need to be really hard on yourself - I'm trying to ride that line by telling myself that I can always write better, sing better, what can we do to make the show more interesting? Pretend that you're the guy who's been in the front row for the last five shows; what would make it new for you?
