Filmmaking Quotes
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Kodak has always represented innovation that is approachable while delivering the craft of filmmaking.
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'Jaws' was the definitive filmmaking turning point for me. It came out in the summer of '75 and I saw it an obsessive 55 times. They even ran a very embarrassing article about me in the local paper, about the weird kid who's seen 'Jaws' 55 times.
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I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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Filmmaking is a much more collaborative thing than literature, so you know you're going to be working with a group of people at the start. You know it's going to be a compromise.
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Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine.
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I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
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Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
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'Paranormal Activity' was a unique project in that I made it basically on my own, with a little help, and I had no exposure to the filmmaking world when I made it.
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I love just about every aspect of the filmmaking except acting. I would never be able to do that, but the rest I really enjoy.
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I got picked for very unique and independent filmmaking experiences with auteurs. And I'm so lucky.
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Everything about filmmaking tries to distract you from that first fine rapturous vision you have of the film.
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Filmmaking is a very privileged art form. It costs a lot of money to make these things.
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The thing that is so great about Ang Lee is the diversity in his filmmaking, from 'Brokeback...' to 'The Hulk.'
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I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
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Most of my films have been documentaries, but I'm also very interested in narrative filmmaking.
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I don't think I can speak of the achievements of Indian cinema because it's so large next to me. It's not stopping. It's ever-growing. We are going towards the right direction. We are evolving as a filmmaking industry as actors, directors, producers, singers, musicians. Everybody just pushing the boundaries.
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It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.
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I'm a huge Robert Altman fan and don't take issue with his filmmaking, as eccentric as it is. But I just think 'Nashville' was a world he didn't know.
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Feature filmmaking is a different kind of complication as documentary comes in the editing room.
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I think coming off of "Blame", I've been talking a lot about directing. It's something that I really love and connect with. I truly consider it what I was born to do. That kind of loops in with filmmaking on the whole, because when you create something, you're also wearing a lot more hats than just director. At the same time, I also think acting is something that's very powerful in my life.
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I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.
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The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.
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There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
