Filmmaking Quotes
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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There's a level of sophistication of filmmaking that's mind-boggling. Anything you need for your movie, there's an establishment that can make it happen really fast.
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The great lesson about filmmaking is never take "no" for an answer, especially if you have a lot of passion and inspiration to do something.
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Filmmaking is a thousand choices a day and it's important to just let those choices potentially be informed by something deeper.
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When it comes to filmmaking, we have to deal with ego, anger, and a lot more; barring all these, how the team works towards the outcome matters.
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My brother Van got the computer first and showed me what it was like to edit video. I definitely credit Van with turning me onto filmmaking.
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Filmmaking is like playing in your imagination and getting paid to do it. I guess I'll ride this horse until it bucks me.
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I think people don't really actually talk about what their real issue is, which is that white, cis men - not straight men, but cis men - have had their hands on the narrative ever since filmmaking has begun.
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It's difficult to find new solicitations, new expressions. But this is talking about filmmaking. Cinema.
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I don't really see a huge divide between filmmaking and television. In the end, a lot of people are going to be watching this stuff on their laptops and their iPhones anyway. So, it doesn't really matter where it comes from, as long as the stories get told.
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I love the team aspect of filmmaking.
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My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
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I just tell you what a pleasure it is to get back to the kind of filmmaking I used to be allowed to do.
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The advice you give to young directors for sure is to go out and become some version of a successful movie actor. Do that first and say yes to people like Terrence Malick and Clint Eastwood and Woody Allen when they come and offer you movies. It's a great front row seat to filmmaking.
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What's important in the filmmaking process has stayed the same. Keep it small, keep it personal, keep it authentic, work with people you like and trust. That process is much longer than the filmmaking process. The development process is a long one, so try and say something of importance.
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What's great about documentary genre, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of "documentary."
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When we make a film like 'TWM Returns,' it is important that we don't think of bettering anything. It's like a baby being born: all you can hope for is the best. But you can't decide how the baby is going to look. Similarly with the movie - you can't think of making it better; you only can think of making the best film possible.
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Filmmaking can give you everything, but at the same time, it can take everything from you.
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Filmmaking and television series are team sports. Look for the best team for you. Plan, budget your time, money and spirit. You need all three to get serious work done. Never say no because something scares you. Never say yes because you're flattered. Stay open, but stay proud. It never gets easy. Get over that part. Get on with it.
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I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
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But I don't have such a strong desire to need to get away from filmmaking.
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I'm a huge Marvel fan and the fact that they take the liberties that they do in filmmaking I think, if anything, that it dignifies the comics and it says, "Yeah. This is a strong enough, robust enough source. We can bend it, it's elastic. It's bouncy."
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A lot of filmmaking is all about filtering out the bullshit.
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Filmmaking is just a very luxurious and efficient way of expressing yourself.
