New York Quotes
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When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
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And when I first came out from New York, I hadn't driven in a long time. Now I'm like Joe Speedster.
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Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
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I'm always amused when the 'New York Times' writes editorials trying to be helpful to Republicans and say, 'This is the way Republicans can save themselves.' Look, the 'New York Times' disagrees with us. They're entitled to disagree with us, but it's not like we should take their advice.
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But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.
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If the perpetrators of the World Trade Center plane crashes had a nuclear weapon, there's no doubt in my mind but that they would've detonated it in New York.
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I've had little success in intellectual circles. I'm not talked about in the 'New York Review of Books,' and I was never part of the Stravinsky 'inner circle.'
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I'm into the whole American and New York vibe, not just because that's what's going on around me but because of the fit. A lot of guys are into the European cut, but I can't really pull that off with my body type - I'm tall and have big legs.
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Too pop for punk, too 'old school' for the New Wave, Mumps were a '70s era New York rock band, out of time.
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What's surprised me most about the demands of blogging - the relentlessness of it. 24-hour news cycle, every media imaginable right here in New York, totally fair game.
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I grew up in the Bronx, but in Riverdale - not exactly an area of New York that's known for being rough and tumble.
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There's something so wonderful about being an actor in New York.
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I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
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We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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I did theater at Carnegie, and in Pittsburgh and New York.
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I changed the city of New York. I gave people back their morale.
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Then in 1969, I spent the spring term at Cornell University in New York. The invasion of August 1968 had already happened, but the hardline regime took several months to crack down on dissidents.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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In general in New York, we all eat like kings. Insane quality, mind-blowing variety, at all price ranges.
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I grew up in New York till I was 5, and I remember going to see 'Annie' and some musicals as a kid, and I remember my parents being somewhat okay with us watching 'Rocky Horror Picture Show,' which, it boggles my mind that they allowed me to watch it.
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That's what's interesting about the Lower East Side: It's New York, but it's also edgy. It's not as stuffy as Tribeca or Soho.
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It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
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There is not one New York but thousands - mixed-up conurbations and microclimates with their own internal logics and charms, dreams and juxtapositions, faces and tongues.
