Painter Quotes
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I have arrived more definitely than any other painter during his lifetime; honours shower upon me from every side; artists pay me compliments on my work; there are many people to whom my position must seem enviable ... But I don't seem to have a single real friend!
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For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact.
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I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.
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A painter paints the appearance of things, not their objective correctness, in fact he creates new appearances of things.
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Every top player has his own style, just as every painter has his own personal signature.
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The men liked to put me down as the best woman painter. I think I'm one of the best painters.
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It seems to me it's a painter's duty to try to put an idea into his work.
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'But surely "blind" is just how you would describe men who have no true knowledge of reality, and no clear standard in their mind to refer to, as a painter refers to his model, and which they can study closely before they start laying down rules about what is fair or right or good where they are needed, or maintaining, as Guardians, any rules that already exist.' 'Yes, blind is just about what they are'
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When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies to what's interesting to me at that stage in my life.
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I was never the kind of painter or sculptor who kept a shop.
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I have a life and do a lot of things, and so far my work has been my life. If I was a painter no one would question me about my age. I'm an artist, I hate saying that.
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Bernard Leach was the one who taught us that, because he, too, had started out as a painter and an etcher and had only gotten into ceramics by chance when he was in Japan trying to teach the Japanese how to do etching, which, as he said, they were not ready for yet.
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Alix MacKenzie was a looser, more linear painter, dealing with amoebic forms, let's say, close to Joan Miró as opposed to my more static exploration of space.
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Im not, by nature, a collaborator. My biggest influences were people like painters and poets. These are solitary workers.
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When people say, 'Who are you?' I'm a sculptor and a painter. That's how I define myself. The acting is fun, and I hope to leave behind a couple things in my life of dramatic integrity and art.
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What lives in art and is eternally living, is first of all the painter and then the painting.
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Anyone who tries to make a living as a painter knows you can't lounge about waiting for inspiration to hit; nothing motivates like keeping a roof over your head.
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What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
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The majority of (painters), because they aren't colorists, do not see yellow, orange or sulphur in the South (of France) and they call a painter mad if he sees with eyes other than theirs
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A painter is somebody who sees. I paint the moment when I set out. When I set out to see. And it’s the same thing for the viewer. When he approaches the canvas, he is advancing towards an encounter. The encounter with vision.
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Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form.
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The power of painter or poet to describe what he calls an ideal thing depends upon its being to him not an ideal but a real thing. No man ever did or ever will work well but either from actual sight or sight of faith.
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I'm the expert when it comes to my paintings. I think all great painters have to have that confidence in what they are seeking and when they're getting there.
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I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.
