Painter Quotes
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The bleak and yet so intimate nature of the mountains has had an enormous impact on the painter. It has deepened his love for his subjects and at the same time purged his vision of everything that is secondary. Nothing inessential appears in the paintings, but how delicately every detail is worked out! The creative thought emerges strongly and nakedly from the finished work. Kirchner is now so taken up with entirely new problems that one cannot apply the old criteria to him if one is to do justice to his work. Those who wish to classify him on the strength of his German paintings will be both disappointed and surprised. Far from destroying him, his serious illness has matured him. Besides his work on visible life, creativity stemming solely from the imagination has opened up its vast potential to him – for this the brief span of his life will probably be far from sufficient.
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After the war 1918 etching became Kirchner's favorite medium. He attributed this to its responsiveness. 'Etchings', he wrote, 'develop in the first states the most immediate hieroglyphs. Rich in lively handwriting and rich in variety of motifs, the etchings are like a diary of the painter.'
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I see my pen as an extension of my musculature. It's like being a painter. It's the closest I can get to my breath.
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I spent all of my childhood at a performance art camp. Putting on plays, it was more like commedia dell'arte. It wasn't career-oriented in any way. It was more fun and therapeutic, so I never really thought of it as something I would end up doing. I was more convinced I was going to be a painter.
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Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
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I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
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My mom's a painter, and she used to wear black all the time, and so do I. So I would say a black T-shirt with a pocket is my go-to.
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I can see forms and shapes in my mind when I solo, just as a painter can see forms and shapes when he starts painting. And I can see different colors.
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I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.
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Like the musician, the painter, the poet and the rest, the true lover of flowers is born, not made.
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The Painter who seeks popularity in Art closes the door upon his own genius.
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I thought, oh, I'm going to be a painter. And eventually my family had moved near Chicago, and when I graduated from high school, I went to the Chicago Art Institute, and it was there that I thought, well, now I'm going to be a painter.
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Color and I are one. I am a painter.
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I don't think that writers or painters or filmmakers function because they have something they particularly want to say. They have something that they feel. And they like the art form; they like words, or the smell of paint, or celluloid and photographic images and working with actors. I don't think that any genuine artist has ever been oriented by some didactic point of view, even if he thought he was.
