Monster Quotes
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When I was little, I wanted to be a spy or a monster truck driver. Later, I just thought movies would be, like, a good hobby or something.
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I had serious psoriasis as a child - it's strange that I make my living off my looks after years of looking like a monster.
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My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.
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That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
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In Catch-22, the figure of the black market and the ground of war merge into a monster presided over by the syndicate. When war and market merge, all money transactions begin to drip blood. (p. 211)
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The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful.
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Sylvia's dark eyes widened. "You are more than you appear to be" "Yes. I am a monster of Darkness, a beast," he agreed with her. Her lips tilted up. "Can a beast weep in sorrow? Does darkness have the capacity to feel loneliness? I think not.
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Well I'm a 5 year old at heart; I still think that there is a monster under my bed - and I'm not joking. It's pathetic, it's really not cute.
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Stories don't always have happy endings." This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.
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A monster which devours everything - that is familiarity.
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Untouchability is a hydra-headed monster.
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Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
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The best part was watching Journey grow into this monster. The band was huge, playing these enormous gigs.
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Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.
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To attempt the destruction of our passions is the height of folly. What a noble aim is that of the zealot who tortures himself like a madman in order to desire nothing, love nothing, feel nothing, and who, if he succeeded, would end up a complete monster!
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I am a fan of the monster and horror genre but that's not my style as a director.
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There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
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I focus on the individual and not seeing this great big monster, 'the press.'
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When I was a little girl, I used to watch a lot of monster movies, like 'Godzilla.' All those monster movies.
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I was a huge fan of monster movies.
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Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
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'Cloverfield' and 'REC' are great examples of movies that took kind of tired genres, the monster movie and the zombie film, and by filming them in found footage, it was a new perspective. It gives you a whole new take and helps you re-experience that all over again.
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There was a movie I was trying to make right after 'Monster,' a bigger behemoth: the Chuck Yeager story. It was a life dream, but it just didn't line up. We just had issues with the life rights, ultimately.
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Broadway is another monster. I've been touring since I was 12 years old and I love being on the road - one day you're here, next day it's snowing, and the next you are in a desert and it's 110 degrees. So I guess I'm kind of used to the madness physically that you go to when you are an entertainer. But it's been great.
