Lyrics Quotes
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Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.
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Listen to the words people say in their lyrics, and tell me, if that's some real shit, if that's real to you, you know what I mean. Listen to what they sayin', don't just bob your head to the beat, peep the game, and listen to what Im saying. Hold us accountable for it.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.
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I have a thing about inane lyrics - the world doesn't need them.
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I'm terrible remembering lyrics. Before a tour, I have to remind myself. I have to go through the songs.
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I realized in the early days I just didn't edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.
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I am always getting ideas for song lyrics and keep a notebook handy. Nowadays, I take a laptop with me everywhere, because I have a stock of handwritten lyrics in it.
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Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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Sometimes, I feel like my lyrics meander a little bit, and our songs are so big I need to write more words than are necessary.
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The thing about Sondheim is that it does get very cerebral. You do need a faculty with words and a love for the lyrics to not just pull it off, but to have an appreciation for it.
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'Losing My Edge' was an anthem for the aging music nerd, with lyrics detailing a comically epic list of historical dates, bands and attended gigs: the anti-hipster's defence against 'the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered Eighties.'
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When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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I do think the love-gone-wrong songs go over better, only because those melodies and those lyrics have a different feel that you can grasp on if you're a torch singer like myself.
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I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
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In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.
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I arranged 'DT Suga,' which I previously used in lyrics, backwards. 'DT' is D Town and refers to my hometown. I like the meaning, and it sounds cool when I say it, so I think I'll continue using this name when I work externally. I also like how the mixtape came out in August.
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I like to compose, but only for myself. I write my own lyrics and compose the music around them.
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I can be stupid in my lyrics or say whatever I want without having to worry about anybody else's feeling or anybody being embarrassed by it or anything like that.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
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Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
