Lyrics Quotes
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Our purpose is to educate as well as to entertain. Painless preaching is as good a term as any for what we do. If you're going to come away from a party singing the lyrics of a song, it is better that you sing of self-pride like 'We're a Winner' instead of 'Do the Boo-ga-loo!'
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A good song has to have a great melody, and the lyrics have to touch my heart. Now, if it's just a little toe-tapper, got to make me feel good somehow or another, or when I sing it I can't make you feel good.
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I got a little bit lost in the writing process: like, that moment in the 'Fight Song' music video where I'm throwing the crumpled paper on the bed, that was really true life. I was filling journals with different possibilities of lyrics for the first verse. And none of them felt right.
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The objectification of females is not a good thing! Not every rapper does this, but when the lyrics focus solely on the strip club, 'poppin' bottles' and how many girls they can 'tap,' it distorts what kids are learning. I think if there was more of a female presence in hip hop we could break up the monotony. It's all about balance.
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There are some things that I write that I know are personal in a way, or the gag is so obscure that it's just for me, and there's other things that could basically be for anybody or be anything, at least until the lyrics start to get written.
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Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
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I used to know all the lyrics to all the songs from 'The Phantom of the Opera.'
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Writing lyrics is part spontaneous, intuitive and part really thought through and carefully analyzed as you write it. It's a mixture of two approaches, and I imagine writing anything is like that, really. Some of it just flows, and you just go with it.
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It's always amazing seeing the song-writing process. A song just starts off as just an idea or a story you want to tell. It keeps building and building when you add the lyrics, the instruments, the vocals until you finally reach the finished song other people can enjoy.
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Lyrics are important, but it's hard, because English isn't my first language - although it feels like it is these days! I grew up with amazing melodies, so getting that right on a song has always been the key thing for me, but there's no reason why a great melody doesn't deserve great lyrics.
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I struggled for many, many years following 'Music and Lyrics' - I mean really struggled.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.
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My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.
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I just learned my lyrics and tried not to bump into the trumpet player. That was my philosophy.
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My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
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I wasn't writing the music. Ed would write a piece of music. I'd listen to it and come up with a melody and then we would arrange it. We'd put it together and I would write lyrics to my melodies.
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Lyrics have become so dumbed down nowadays. People don't want to have to think about lyrics anymore, they just want to be told something. Until these great things started happening with us, I'd really given up on reaching people like that.
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You have the ability to write melodies and to put lyrics that mean something: to speak about life and what people are going through in their every day ups and downs, the good times and the bad times. Country music has always talked about life, I think; that's what I've always loved about it.
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We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
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I know my lyrics might be weird to some, but they're not like that to me because I know where they come from - I know the secret.
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One of the first albums I can remember hearing was a Supertramp best of, with mostly 'Breakfast in America' songs on it. It's kind of the same thing as the Flaming Lips, where there are these really melancholy lyrics and melodies, yet it's extremely uplifting. They're like a nonfuturistic version of the Flaming Lips.
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The process is always the same. I get an inspiration for a new song, I put it down on paper immediately so I won't lose it. When I am ready to go to the studio with it, I play it a few times on the piano and edit, add, and type the lyrics and take it to the studio. Sometimes I don't have anything on paper.
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I'm not really into the whole lyrics thing; I just like to make music that people like to listen to.
