Lyrics Quotes
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
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I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
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I'm not really into the whole lyrics thing; I just like to make music that people like to listen to.
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Lyrics can be important, but ultimately, what pulls people in on a song is melody and the tracks and the way music feels.
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I'm not a big fan of Robert Plant's lyrics or his singing.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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Lyrics are very important to me. I like speaking to women and saying what I mean.
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I know this will blow your mind, but most people would probably never ever get it, but I listen to classical music when nobody else is around. It calms me down and I can get into this, like, deep thinking mode, you know, because there's really no lyrics to it, so you're not following something that - that you're listening to a story.
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Most of the lyrics are over a year old, and it doesn't feel like it's about me. Time created a distance.
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I love Feist. I love Francoise Hardy. She was a French singer-songwriter in the '60s who was pretty huge. I think I'm drawn to her sincerity. I love Fiona Apple, too - she's quirky and really honest in her lyrics.
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I never wrote music or arranged songs or lyrics when I was under the influence of anything but coffee. That's not gone away.
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Critics always get the lyrics wrong in reviews, which is amusing - especially when they use them against you.
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I started writing instrumentals but Roma pointed out they were very visual, so she started writing lyrics .. and Nicky had this idea of creating a wall of sound and started multi-tracking my voice.
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The city - as the theater of experience, the refuge, the hiding place - has, in turn, been replaced by an abstraction, the fast lane. In the fast lane, the passive observer reduces everything - streets, people, rock lyrics, headlines - to landscape. Every night holds magical promises of renewal. But burnout is inevitable, like some law of physics.
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While I'm grateful for the freedom to express one's self, I've learned there are limits to what language is appropriate and I'm deeply sorry for how these lyrics could be interpreted.
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I came from battling, knowing about the lyrics. All that's cool, but if you want people to love you, you have to talk to them about what they go through.
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I filled the margins of my schoolbooks with lyrics.
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I find most modern country virtually unlistenable. I can't relate to the music or the lyrics.
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The lyrics to the single 'Survivor' are Destiny's Child's story, because we've been through a lot, ... We went through our drama with the members ... Any complications we've had in our 10-year period of time have made us closer and tighter and better.
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I've always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.
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When I was 3 or 4, I seemed to be bursting with music. They played Ella Fitzgerald, Count Basie, Frank Sinatra in the house, so I learned my vocabulary from song lyrics - I was literally singing before I was talking.
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I was pretty strict in high school about who I would listen to. Musicians like Neil Young, Cat Stevens, Bob Dylan, Joni Mitchell... who were, in my opinion, great writers. The music mattered, but it held hands with the lyrics, and the personality was, overall, unsullied.
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Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
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I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.
