Lyrics Quotes
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To not sing with an orchestra, to not be able to communicate through my voice, which I've done all my life, and not to be able to phrase lyrics and give people that kind of joy, I think I would be totally devastated.
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I'm not really into the whole lyrics thing; I just like to make music that people like to listen to.
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I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence.
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I do think my lyrics have gotten... not necessarily more poetic, but more open to interpretation; they're less literal.
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Lyrics have become so dumbed down nowadays. People don't want to have to think about lyrics anymore, they just want to be told something. Until these great things started happening with us, I'd really given up on reaching people like that.
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I know this will blow your mind, but most people would probably never ever get it, but I listen to classical music when nobody else is around. It calms me down and I can get into this, like, deep thinking mode, you know, because there's really no lyrics to it, so you're not following something that - that you're listening to a story.
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I've always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.
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I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
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Music's staying power is a function of how timeless the lyrics, song and production are.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.
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You have the ability to write melodies and to put lyrics that mean something: to speak about life and what people are going through in their every day ups and downs, the good times and the bad times. Country music has always talked about life, I think; that's what I've always loved about it.
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It took me a long time to stumble upon a sound, and I figured out I wanted to kinda sing rapper's lyrics.
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I think people just want to be popular. So they're going to write lyrics that are going to get your attention. You know, sometimes, they're a little graphic, and I don't think that's so necessary.
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Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
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I don't have a favourite romantic scene, but I enjoy romantic movies like 'Ghost' and 'Music and Lyrics.'
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Lyrics can be important, but ultimately, what pulls people in on a song is melody and the tracks and the way music feels.
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I think honest lyrics help somebody say, 'I was struggling with this, but if Jon goes through that, too, and if Jon's telling me that his life isn't as good as it seems on his Instagram,' that helps somebody in their day to day.
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I know my lyrics might be weird to some, but they're not like that to me because I know where they come from - I know the secret.
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I love Feist. I love Francoise Hardy. She was a French singer-songwriter in the '60s who was pretty huge. I think I'm drawn to her sincerity. I love Fiona Apple, too - she's quirky and really honest in her lyrics.
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
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With lyrics, being a poet gave me a different approach than other people.
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We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
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Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.
