Space Quotes
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Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.
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The greatest thing we can do is to give each other a safe space to truly, truly be ourselves in the world.
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NASA asked me to create meals for the space shuttle. Thai chicken was the favorite. I flew in a fake space shuttle, but I have no desire to go into space after seeing the toilet.
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One thing I probably share with everyone else in the astronaut office is composure.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
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Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
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Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
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The human brain now holds the key to our future. We have to recall the image of the planet from outer space: a single entity in which air, water, and continents are interconnected. That is our home.
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I think of music as creating a space. I like to put things in that are comforting to me and are nostalgic. To me, that's what sampling does in songs; it's making deeper layers for people who know where it comes from, but also referencing another part of my history and my memory or a memory that I have.
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Cities have become places where we are controlled, by CCTV and other means, in the same way as machines are controlled. My works provide an imaginative space in which this can be challenged. It's like opening a window in a closed room.
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Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.
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We went from playing small clubs to quite big stages quite quickly, and a lot of the time, I felt like I was trying to catch up with myself. Figuring out how to take up space was an interesting journey.
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The modern artist is working with space and time, and expressing his feelings rather than illustrating.
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People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.
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As long as the plots keep arriving from outer space, I'll go on with my virgins.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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A hybrid human-robot mission to investigate an asteroid affords a realistic opportunity to demonstrate new technological capabilities for future deep-space travel and to test spacecraft for long-duration spaceflight.
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Questions and answers is a big space, and there are lots of possible systems that you can create for different goals.
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It's so cliche, but I love the feeling you get from improv that anything can happen. The audience is already accepting that there are no props or costumes or furniture, so the performers can be anywhere doing anything; cut from underground to space, and it doesn't matter.
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It had occurred to Rimford, at about the time he approached fifty, that the chief drawback in contemplating the enormous gulfs of time and space that constitute the bricks and mortar of the cosmologist is that one acquires a dismaying perception of the handful of years allotted a human being.
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Now, we occupy a lowly position, both in space and rank in comparison with the heavenly sphere, and the Almighty is Most High not in space, but with respect to absolute existence, greatness and power.
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The existence of finality within the organism is undeniable. Each part seems to know the present and future needs of the whole, and acts accordingly. The significance of time and space is not the same for our tissues as for our mind. The body perceives the remote as well as the near, the future as well as the present.
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We continue to not only operate the International Space Station but to increase its capabilities as well as commercial contributions.
