Space Quotes
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Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
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The honor you have given us goes not to us as a crew, but to ... all Americans, who believed, who persevered with us. What Apollo has begun we hope will spread out in many directions, not just in space, but underneath the seas, and in the cities to tell us unforgettably what we will and must do. There are footprints on the moon. Those footprints belong to each and every one of you, to all mankind. They are there because of the blood, sweat, and tears of millions of people. Those footprints are the symbol of true human spirit.
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For a production that suggests a mysterious dreamscape, I have a particular affection for the Vivian Beaumont Theater. It is the largest dramatic space available in New York City in terms of plays, although musicals have been done there very successfully as well.
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It's so cliche, but I love the feeling you get from improv that anything can happen. The audience is already accepting that there are no props or costumes or furniture, so the performers can be anywhere doing anything; cut from underground to space, and it doesn't matter.
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I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
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The stars don't look bigger, but they do look brighter.
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Few contemporary artists mined the space between the ordinary and the strange better than Orozco did.
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I think most people live in a space where they are looking for meaning in life and good in the world and that is not necessarily reflected in straight news coverage right now.
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I've worked with a couple of these really cool, great actors like Ted Danson and Glenn Close. They all have their own presence when they walk into a room, and I was excited to see what Tom Selleck's 'space' was going to be like.
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'8 Miles to Pancake Day' is a reconciliation of the classic space-time dilemma.
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The modern artist is working with space and time, and expressing his feelings rather than illustrating.
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Getting into a space suit and going outside, to me, getting your peripheral vision involved and looking at the Earth was a whole different experience than looking through the window. And it's kind of the same on earth. If you're driving in a car and you see like a beautiful sunset or landscape, it looks so much better if you stop and get out and kind of take it all in and that's kind of what it's like doing a spacewalk.
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As the mind shrinks at the will of the initiate, thought flows in to fill the spaces so created.
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If you actually keep things very organized and clutter-free, you can have more furniture than you think you can in a small space.
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After being boxed in by man and his constructions in Europe and the East, the release into space is exhilarating. The horizon is a huge remote circle, and no hills intervene.
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We are aware only of the empty space in the forest, which only yesterday was filled with trees.
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It was one of those dreams that invade the space between seconds, proving sleep has its own physics- where time shrinks and swells, lifetimes unspool in a blink, and cities burn to ash in a mere flutter of lashes.
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To try to write a grand cosmical drama leads necessarily to myth. To try to let knowledge substitute ignorance in increasingly larger regions of space and time is science.
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We continue to not only operate the International Space Station but to increase its capabilities as well as commercial contributions.
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I can't think of anything specific growing up that pointed me toward NASA at all. I was interested in the Moon landings just about the same as everyone else of my generation. But I never really thought about being an astronaut or working in space myself.
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There's actually an incredible amount of parallels between working in central Congo in a remote, isolated village and doing research aboard the space station.
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I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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I was 28, and my mom was living with me. I had to decide. You have to claim it; you can't ask permission. After a gig in Singapore, she went home, I went to New York on my own, I packed her stuff in boxes and sent it home. I don't think she liked me for a while for doing that. It was something I needed to do to carve out my own space.
