Space Quotes
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But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.
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Ah, you may leave here, for four days in space, but when you return, it's the same old place.
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Realizing this, I knew that the actual space of a room could be broken down and played with by planting illusions of real light (electric light) at crucial junctures in the room's composition.
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Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
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We spend our spare time taking care of little things. I can watch a little bit of college and professional football if I want to... Our favorite pastime is trying to take pictures of our hometowns from space.
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I think that space exploration as a broad activity is the most important things that humans can do. I've always found it fascinating, interesting, compelling, and I have a drive to go out into space.
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My parents grew up during the space race, and I think they imagined the future would be us living on moon bases and everyone has rocket shoes.
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It takes a few years to prepare for a space mission.
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Glenn must think he's still in space. He's orbiting the issues faster than he orbited earth.
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Until now I have never really lived! Life on earth is a creeping, crawling business. It is in the air that one feels the glory of being a man and of conquering the elements. There is an exquisite smoothness of motion and the joy of gliding through space. It is wonderful!
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The Mandelbrot set covers a small space yet carries a large number of different implications. Is it a fitting epitaph? Absolutely.
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'Cyberspace' is a metaphorical idea which is supposed to be the space where your consciousness is located when you're using computer technology on the Internet, for example, and I'm not entirely sure it's such a useful term, but I think that's what most people mean by it.
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A cross could be a shape for expressing something spacious, such as the coordinators of space. That could be called its first significance or its first relevance.
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Lost In Space fans are going to get organized, because we'll see them showing up in all the theatres.
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My interest was always to do interdisciplinary work with space. I thought of architecture as one strand in a multimedia practice.
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An architect must remember that the people working or living in his building need space - to dream, to be quiet, to find beauty somewhere.
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Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive.
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I don't read reviews and I don't know what to do with opinions, so I just lose them. They take up space, they become a process of manufacturing a persona, which I want to avoid.
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James's expedition to Scotland is wholly imaginary, though there appears to have been space for it during Henry's progress to the North to pay his devotions at Beverley Minster.
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There was a lot of the 'Hamilton' experience that was like a locomotive. It was a hurricane, so the apartment often looked like a hurricane. There were clothes and shoes all over. We were getting more things in than we had room for. We had to figure out how to make space for all the blessings and goodness coming toward us.
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A couple of games, I played up front when Diego Costa was not there. We know to create movement - not even to get the ball, but create space for others. Now I understand football is not always with the ball at my feet.
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Up to a certain time I was cutting into things. Then I realized that the thing I was cutting was the cut. Rather than cut into the material, I now use the material as the cut in space.
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Our passionate preoccupation with the sky, the stars, and a God somewhere in outer space is a homing impulse. We are drawn back to where we came from.
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My office has two buildings that function like the right and left sides of the brain. There's a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. It's an architectural unfolding of the process instead of just one chaotic structure.
