Cultural Quotes
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I think it was a weird case of ‘cultural cringe’, and some of that element still exists today.
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I've always believed that what can make a domestic setting truly home is the infusion of a cultural dimension.
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Historically and culturally, New York City and our entire nation simply would not be the same without the infusion of Asian traditions. Whether it is food, art, language or any other facet of cultural life, Asian Americans have made our city and our country stronger and richer.
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I feel very lucky. I don't know what else there has to be. I'm happy, as corny as it sounds, to be living in a place where it's easy to live, easy to drive to the airport, easy to go pick up something at the supermarket and to have a circle of friends. Those were my goals in 1998, not to be queen of photography but to make a cultural adjustment to the West. And those are still more important goals to me than professional ones right now.
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The purpose of those who argue for cultural diversity is to impose ideological uniformity.
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Overemphasis of the competitive system and premature specialization on the ground of immediate usefulness kill the spirit on which all cultural life depends, specialized knowledge included.
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Being a native of Spain, the country to which I owe much of my education and cultural background, I was deeply influenced by my great predecessor Santiago Ramon y Cajal.
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Before the storm we were musical ambassadors of New Orleans, and now we've become cultural ambassadors for the faith of post-Katrina renewal.
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Let a million cultural flowers bloom! Spark an explosion of rich, creative, diversified, and exciting art in all its forms.
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Architecture is not all about the design of the building and nothing else, it is also about the cultural setting and the ambience, the whole affair.
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The Great Proletarian Cultural Revolution was neither a revolution, nor great, nor cultural, and, in particular, not in the least proletarian.
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Comedy is such a private thing; it's not always easy to translate something funny from one language to another. It's very personal and cultural as well.
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It's a side of museums that many people don't see and sometimes don't understand when they see it in your budget. It's something that happens out of the way and it's not flashy but we're ensuring the long-term health of the cultural legacy of the area.
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I believe cultural survival is extremely important. I also believe it's important to realize the contributions that we make for each other.
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In the springtime of America's cultural life, its itinerant folk artiststook totheroad to record the life and times of a people.Perhaps never again will we have an artistic record created in such direct and unassuming terms.
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A faith project in Christian artistry will never be healthy among us until there is a living sense of Christian community, and the misplaced emphasis on the 'individual' has been corrected. God has set things up so that cultural endeavour is always a communal enterprise, done by trained men and women in concert, gripped by a spirit that is larger than each one individually and that pulls them together as they do their formative work.
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In other words, (cultural) exchange is about teasing out points of conflict, among other things. (Cultural) Appropriation suggests a significant amount of self-satisfaction and a desire to show off.
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The people from where I grew up have no appreciation for Paleolithic rocks or menstrual calendars. I'm a retriever of lost iconographies. But I had real training and have deep discipline, and I believe in it. Too much of the work I see today is just cultural junk. It's very superficial and has no rigor. It doesn't address the dynamic and real politics of an aesthetic structure.
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Scientists and artists are both living in the cultural milieu that they come up in. They're always responding to what is happening culturally.
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How can we create a cultural legacy of happiness? Let other people matter.
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Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
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I think that New York is not the cultural centre of America, but the business and administrative centre of American culture.
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The very matrix of our ability to love and bond in later life, maternal sensitivity – or lack thereof – also determines cultural tenor.
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Many other cultures value poetry more than we do. In Ireland, poetry is a top cultural pursuit, the art to end all arts.
