Culture Quotes
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I am a standup comedian who has performed comedy in the Middle East in front of thousands of Muslims. And believe it or not, they laughed at plenty, especially when we poked fun at local culture. The Lebanese loved it when you would make fun of their driving and how, in Lebanon, a red light is just a suggestion to stop.
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It is a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.
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Today, the culture can hardly, if at all, reflect the society in which people live.
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Suppose we were able to share meanings freely without a compulsive urge to impose our view or conform to those of others and without distortion and self-deception. Would this not constitute a real revolution in culture.
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There are some countries where there is not an issue with women in physics. Malaysia, for example, has physics departments where 60 per cent of undergraduates are female, and France and Italy are strong, too. It is not about ability but more about what the culture says is appropriate.
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As a society we should be encouraging people out of the debt-culture mindset, not promoting it.
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I'm still very aware of the violence in our culture, more so than other people. I know where it comes from when someone is trying to suppress someone else, sometimes they fight back.
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We get a lot of raps as Americans for being small-minded, but in fact, when you really drill down to the core of the culture, there's an enormous amount of compassion and forgiveness and support.
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I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.
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When the culture is strong, you've got this consistency where black people can grow up in these places with this voice just resonating about our special-ness in the universe. And I always say you're in trouble if you get too far away from that core that grounds you.
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In their heyday, comics were a dominant force in popular culture, but that's over.
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I'm surprised and disappointed in American culture.
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I don't feel 'possessed' or 'invaded during sessions. I don't feel that some superspirit has 'taken over' my body. Instead I feel as if I am practicing some precise psychological art, one that is ancient and poorly understood in our culture; or as if I'm learning a psychological science that helps me map the contours of consciousness itself.
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There are some liberals eager to embrace a culture void of morals, but the majority of America is made up of honest, hard-working families who turned out in droves to protect the traditional way of life.
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I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
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It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality; just buy these products, and you'll be forever young and happy.
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It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
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Restaurants and chefs have become followed by such a broad swath of the public, in a way that used to be reserved for sports stars, movie stars, and theater actors. Restaurants are in the firmament of today's common culture.
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To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say 'my ancestral culture does not exist, it doesn't matter.'
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A culture that only recognizes and rewards the same set of attributes results in less collaboration, creativity, and innovation. If we only reward the loudest voices or the sharpest elbows, then we're missing out on the full range of talent.
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Without going outside his race, and even among the better classes with their 'white' culture and conscious American manners, but still Negro enough to be different, there is sufficient matter to furnish a black artist with a lifetime of creative work.
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Perhaps it is time to debate culture. The common story is that in 'real' African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed.
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No culture can live if it attempts to be exclusive.
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Racial oppression of black people in America has done what neither class oppression or sexual oppression, with all their perniciousness, has ever done: destroyed an entire people and their culture.
