Movies Quotes
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I get inspiration from movies, from fashion, then completely random things you'd never think of.
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I love my job. But all the stuff that comes with it, the thought of being propelled into the limelight again is not something I sit around and fantasize about, certainly. I'd much rather just do my work, and then go home and read my books and watch movies.
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In the film work, I love to work mainly from the script and from talking to the directors, so a lot of the music, big portions of the scores that I've made, have been composed before the movies were even shot.
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One of my best moves is to surround myself with friends who, instead of asking, 'Why?' are quick to say, 'Why not?' That attitude is contagious.
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It's become almost a cliche at this point that movies in the general sense are the place you go for superheroes and explosions and TV is where you go for actual storytelling.
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The hardest thing for me about making movies, and that included 'M*A*S*H' because it was made like a movie, was starting and stopping.
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A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
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Movies can and do have tremendous influence in shaping young lives.
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You know, people really know me from 'The Best Man.' I've done five other movies since then, but it always comes back to 'The Best Man.' It was time to do the sequel.
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If I hadn’t gone into the movies, I might never had discovered that a day is made up of morning, afternoon, and evening, instead of afternoon, evening, and night. I never before realized that there was such an hour as nine A.M. I realize it bitterly now that I have to get to the Famous Player’s studio at that hour, but really the acting itself is a lark.
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I was a teenager in the '80s - and maybe I'm wrong about this - but it seemed like a bad era for movies that were scary. It was really the height of movies that were disgusting.
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up; a lot of these insecurities fuel the movies I make.
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I guess I'm not always looking for the same things in movies that most people are, which I wouldn't have necessarily even really known if not for spending too much time reading about myself on the Internet.
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I love high concept movies, but they can only work if the source of inspiration is really human - if they're driven by pain and strong emotions. Once you connect the audience with that, then I swear you can take them on the craziest journey, and they'll come along.
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Louis B. Mayer is one of those with a claim to posessing the equation... he began to buy up nickelodeon arcades in the years before the First World War in and around Boston. He had noticed that people liked going into the dark to see the light... the appeal of the movies is beyond the sensible, rational or the hard-working. Going into the dark, afte centuries of progress in which mankind has staggered toward artificial light, smacks of delicious perversity.
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I've made some great movies. 'Risky Business' still stands up. It's timeless. They study that film in film school.
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'Fast Times At Ridgemont High' is one of my favorite movies; it's a film that's a human comedy, it's a drama, and the characters all, in a way, fit the teenage archetypes, but they don't become stereotypes because each of the actors brought their own presence and their own personality to the screen.
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I love martial – arts movies. I grew up with my dad watching kung–fu theater every Sunday. So it was kind of my thing.
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I love the intimacy of making movies. The focus is deeper and much more intense than musical theatre.
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It is true he still has a lot of money; he's built up a net worth and still has back-ends from movies, but you can't compare that to what he could be still making. Sometimes it just amazes me how uninterested he is about it.
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We need to take a step back and realize that what happened in the 1950s, when he started his career, is exactly where we are today. Everything goes in a cycle, and right now, distribution is changing. Audiences might be kind of sick of these giant blockbuster movies with all these special effects where blue people are running around and the hero is some non-human entity. These are all great movies, but I think that there's definitely room for new voices to come out.
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It's been an obsession of various genres, disciplines, and aspects and elements of movie-making. It's always been something that I've really aspired to, so doing something new and different, reinventing myself and working with new people is just the passport to the amazing world that is the movies.
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I was always enamored with TV shows and movies. But you didn't grow up in my town and turn into an actor.
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I want a love like they have in the movies.
