Movies Quotes
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I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that – but Lord knows, those movies exist.
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I don't go to the movies. There's nothing I want to see. My wife will go out with friends to see a movie now and then, but there's nothing I want to see.
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The normal routine is always the same thing whether it's on a new movie or a new job - there's always a process of getting to know one another. I think part of what makes movies special is that it is a relatively intimate environment and it's pretty short-lived - you get to know one another very quickly.
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To me, as an audience member, movies always come to a screeching halt when they get to their action scenes. They always feel like they drag on to me.
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There is no excuse these days for someone who wants to make movies; you just need yourself, one tape and a borrowed camera.
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I've never held myself up particularly high when I had movies that worked, and I never held myself all that low when I had failures.
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I have a lot of influences. I like to sit down with the cinematographer a month before, and we'll watch pieces of 20 or 30 movies.
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The things I see now on TV and in movies are so outlandish. Kids doing rude things with pies! And the language that they use! It's being outrageous for the sake of being outrageous. I can't watch it. It turns me off.
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You are not a female or a male - you are a dancer. And when I started going into choreography I became part of a team of people making movies. I wasn't a woman choreographer. I was a choreographer.
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I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.
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I always loved movies, especially watching some of my mom's films when I was younger, like 'Out of Darkness,' where she played a schizophrenic.
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Nowadays, when you make movies, you don't need any lights at all. You have to remember, back in the day, the film stocks that they had were very, very insensitive and they would have these humongous lights and lighting was everything, so everyone looked good. Nowadays with digital film where you don't need any light at all, you could shoot in the [bleep] dark. It makes people not look so good and it makes aging on film much, much harder.
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My hope is to see people of color in roles that do not emphasize race. Often times when movies are centered around people of color, they are movies where the storyline is based on some racial component. I want to see movies where people of color play more interesting, nuanced characters.
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I don't like the piano player music of the movies, the Michael Nyman, and sometimes that piano music makes me puke. It's not really romantic. It's just trying to get your Pavlovian juices flowing because it's a technique now.
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I guess I can't live without Netflix because I would have nothing to do. All I do is sit home and watch movies.
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I did many other things before I ever got into the movies. I've been in so many businesses, it's a joke. All of them totally unsuited to me. Selling used cars. Running a club in London.
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People are paying a premium to see movies in 3-D, and that's a very big deal. It's never been done before that someone says you have to pay more to see 'Spider-Man' than a romantic comedy.
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You can shave your head, but I've had to gain a lot of weight for movies, I've had to drop weight really fast for movies. I've had to learn accents or embody physical behaviors or twitches and things like that. And sometimes you take to some things easily and sometimes not. That's the challenge of the job.
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You know, I wish I wasn't so young when I made some of my movies, because I thought that's what the rest of my life was going to be like and I'd have all the time in the world to enjoy it. It wasn't and I didn't.
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If a movie goes south, it might not capsize me the way it used to. But I still have a terrible fear of failure. I'm a huge worrier.
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As a student in Beijing in 1996, I sometimes marveled at the sheer obscurity of the movies that somehow made it onto pirated discs in China.
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Movies are always in a state of locomotion. You start with a general idea of how it should feel and then you find you've got a runaway train. You have to race to catch up: the movie is telling you what it wants to become, and when that happens there's no greater feeling.
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It's not unlike the movies for human actors. Once a dog stars in a movie, they don't work very much anymore. It's kind of heartbreaking.
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I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.