Career Quotes
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The worst frustration for a singer is choosing a career in making music and then not being able to make music because you're always giving interviews.
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In terms of my career and stuff, Game of Thrones has just been such a blessing because people really love the show.
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Lithium prevents my seductive but disastrous highs, diminishes my depressions, clears out the wool and webbing from my disordered thinking, slows me down, gentles me out, keeps me from ruining my career and relationships, keeps me out of a hospital, alive, and makes psychotherapy possible.
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If you think my career has been a failure because I have never won a national title, you have another thing coming.
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I don't want to be another Jordan, Magic, or Isiah. When my career is over, I want to be able to look in the mirror and say 'I did it my way'.
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It is one thing to go on stage and be funny or be in a good place in your career, but for a woman, actually facing the elements in a physical way is a very powerful thing.
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I don't think there is really much from my career that I want to go back to. I think that, with most of the characters that I've been lucky enough to work with, I've said all I have to say about the Black Panther, Green Lantern, and on and on.
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Career highlights? I had two - I got an intentional walk from Sandy Koufax and I got out of a rundown against the Mets.
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If you want to be an actor or actress out of high school or college, just know what you're getting in for. It's a job. If you look at it like a job, and you make it a career and a profession, then you're bound to do well.
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Powerful women intimidate men. If she's a really well-known woman, she has a career, she's famous - in that case, men are really afraid.
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Maybe I'm naive, but I subscribe to the idea that nobody is actually making strategic decisions about their career. Trying to do that would be like playing three-card monte on Canal Street.
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It's not about my career now. It's just about finding great work and having a good time.
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I want to be happy, to look back and feel I danced well at the end of my career and didn't dwindle off. It would be too sad.
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I would advise all youths aspiring to athletic fame or a professional career to practice clean living, fair play and good sportsmanship.
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One thing I always did in my career was writing. I always was writing. I was trying to create things. For myself, for other people.
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I honestly never thought in my career I was going to do a body-switching movie.
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The highlight of my career was being at the inaugural gala of Ronald Reagan, and I owe that to Mr. Sinatra.
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Maybe it's oldest-child syndrome, but I have always been competitive, even as a kid with sports. It spills into my career.
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As a player, I was very lucky to have so many good managers in my career. I remember the first two at Lecce: Eugenio Fascetti and Carlo Mazzone. They were very important for me and my growth.
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My buddies all still make fun of me about the whole 'Leprechaun' thing, and I'm proud of that movie. I'm just as proud of that work as I am of anything else that I've done. I feel like where I was in my career at the time, I committed to the character.
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It's easy to forget, given her scandal-tinged life and tragic death, how incredibly talented Whitney Houston was. She holds the world record as the most-awarded female act of all time, with over 415 major recognitions during her career. She is the only artist to chart seven consecutive number one songs.
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Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
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I'm only at the beginning of my career, but I feel successful in that I haven't sold out in any way, shape or form. I feel good about the choices I've made, and I don't feel like I've let go of any of my values.
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I was very young, and I was on vacation with my family, and there was a retrospective of old films, and one of them was 'The Phantom of the Opera' with Claude Rains that was in color. It was something very important for my career because I began to follow these stories that were morbid.
