Movie Quotes
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I actually have a movie that I was a supporting role in that I'm really proud of called 'Sun Dogs.'
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If you know the filmmaker is good and the leading actor is a movie star like Diane Lane, you know you're part of something great.
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I'm not in the movie business anymore, and hardly any 70 year olds are. I always ask the producers: 'Are there no 70-year old vampires?' Apparently there are not - or even zombies for that matter. I guess they all get eaten.
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I love 'Sunset Boulevard.' I love the writing, I love the performances, I love the camera work. I think it's a perfect movie.
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I have a daughter who's 11 years old. Maybe she'll grow up independent and really really heavy and become a movie star and she'll play me in my life story.
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The grand scale and immersive nature of The IMAX Experience gives 'Spiderwick' a brand new level of excitement. In IMAX theatres, fans will be drawn into the movie even further and feel as if they are actually part of the story.
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My dream is to be able to make something in Baltimore that's just there. Make a movie or make a show there. I only left because there wasn't any opportunity except being an extra in Barry Levinson or John Waters movies.
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For working with non-professional actors, you have to have this particular desire to work with people who are reluctant to play in a movie. I like this relationship. I'm like a recruiter, an employment agency giving someone employment.
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Without movie parts I was reduced to freak status. I just couldn't stand it.
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I didn't want to do a movie, but Hollywood was going to do it with or without us.
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It's a clique and I think a clique exists in every business. There's a circle of people that are guaranteed to open a movie and we all know their names and whether they're right or wrong for the role.
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The storytelling in a movie is in the cut; it's in the edit. It's not an actor's job, really. Your job is such a tiny little thing, and I love the feeling of juggling or tightrope walking.
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By the way, movies are like sporting events in that you're as good as the movie you're in. You can sit in a room for 20 years and go do a movie and you can just kill in it and you move to the head of the line again. By the same token, you can do five movies a year and if they're dreck, it's nothing.
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I never went to work on a movie set until I was a producer and director.
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Don't let Ted Turner deface my movie with his crayons.
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Sometimes I take a movie that I know is not great; it's not great on the page, but I need to work. Sometimes I need to make the money. I need dough. I want to work, and so I'll take something that is compromised in some arena. But it's like, actors gotta act.
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I'm a guy that wants the movie to work. So whatever it takes or whatever you got to do - I'm happy to do.
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I didn't even learn to play guitar until the movie 'Walk Hard,' which is probably fortunate because maybe I would have pursued it, and that would have been a waste of my time.
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My feeling is... when you show up to a movie set where there's, like, 50 people standing around and months of preparation gone into it, you want to be as prepared as possible, so you should make a million baguettes. That might not actually help in any explicit way, but it'll make you feel more prepared.
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I was in a movie with Angelina Jolie called 'Life Or Something Like It' where I played her fiance, and I have a song in there.
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Can you get halfway around the world? Can you do a walking trail of the movie?
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I really liked John Candy in 'Planes, Trains & Automobiles.' He was so good in that movie.
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I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie.
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If a movie makes money, then it's a success.
