Movie Quotes
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I don't want to know what happens in any movie that I go to see.
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Feelings are universal, and if an actor's doing his job, I think he's making people sit there, and if it's in a movie or a theatre, going 'Hmm, yeah, I know that... I know that.'
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'House of a Thousand Corpses' by Rob Zombie - I love that movie. I really do.
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It's not a bad day at work when you just have to take your shirt off for a big franchise movie. There are worse jobs out there!
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There are all kinds of things evolving in filmmaking I'm not sure I'm comfortable with. A friend of mine just showed me an immersive 360 movie where you move from environment to environment and can look in any direction you want while you're experiencing it. Which is cool - but it kills directing, as far as I'm concerned.
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My dad grew up in western Nebraska. I'd visit all the time as a kid, and it's very much like the Wild West. It felt to me like a cowboy movie. Stuff like that made me become this dreamer at a young age.
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I have this thing that, once I finish a movie, I never see it again.
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I was in a movie with Angelina Jolie called 'Life Or Something Like It' where I played her fiance, and I have a song in there.
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I was saying to myself that I would love to try it once, just one time, to know what it's like to make a movie in Hollywood. I was so curious because most of my favorite directors were there. There's a history; there's a way of working.
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I always prefer the big laugh. That is always the objective, especially with a film like Scary Movie 2.
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If you look at my movie career, I do switch it up a lot. I'm always looking for a lot of different parts. It's been a while since I've been in a situation that was romantic.
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It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at.
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When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.
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The fun is getting to wear multiple disguises and getting to explore multiple personalities and bring them to life. So a movie career definitely affords me that.
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When you're in L.A., and you're making movies and that kind of stuff, you don't really get a sense sometimes, I think, what the fans are like. But you go into a room with 4,000 people or 2,000 people who know your movie, know the lines, and know the characters; it's really a lot of fun.
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Soaps have a schedule where you have to be done in 15 minutes. With an hour show, there's no way to get off schedule. On a movie, it's a lot easier to go back and reshoot scenes. I wasn't used to that at all... taking the time to really make each scene as good as it can be, which you can't do on soaps.
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'ABCD...' was a dance movie, but it had an emotional story, and now 'ABCD 2' is a very emotional film, too.
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There's no big budget Canadian movie. Whatever movies are big budget in Canada come from the States. Or also have States financing. Everything's pretty small.
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I think by default I wanted to be an actor because, on a movie set as a little kid, the only thing that you can do is be an actor. And I was really enthralled by the whole process.
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There are certainly moments in the story room where you watch the movie die on the table. You put A next to B, and suddenly none of it lines up anymore. We feel that all the time. It's a terrible feeling.
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This is the world we live in, isn't it? Tons of spin-offs; people reboot things very quickly. I was amazed how quickly they made a Wolverine movie, then, 'Let's do another origins Wolverine movie.'
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If you look at the Earth without architecture, it's sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether it's a movie theater or a simple log cabin in the mountains. This is the core of architecture: To provide a space for human beings.
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My hand still shakes when I sign autographs. I still go and sit in the movies like everyone else and look up there and go 'God! Movie stars! Wow!' And I'm in this business. I walk out there just fascinated, and I always want to stay like that. I'm just a little kid going to these movies, and I don't ever want to change.
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I wanted to make sure that 'Up' wasn't a 3D movie about a man who sails his house to South America. It's a movie about an old man who sails his house to South America that also happens to be in 3D. So the first thing is always the story.
