Movie Quotes
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It was a lot of fun on the set. I had the most fun making that movie out of all of them. I'm sure if I sat and thought about it, but none that I could think of offhand.
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There are some wonderful parts in the movie Loulou where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.
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I now hate actors that blink too much on screen. When people blink, I turn the movie off. So I don't blink at all.
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I guess, deep down, there's a dark side to us. I guess that's why movie fans really love the revenge drama. We like to go into dark movie theaters and fantasize.
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It's still possible to make movies. Not so much on YouTube. On YouTube, you wind up with an advertising career. What movie became infamous and a hit because of YouTube? Maybe there is one. I don't know.
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The thing that kept bringing us back to Pete's movie is that it was a story about real people. It (also) had a very specific locale; Chicago is to this movie what Boston was to 'Good Will Hunting,' ... It was enormously heartfelt and, ultimately, nobody could deny being moved by his story.
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For myself, I would rather take less roles and be working on films that I'm passionate about, that are going to challenge me and that I'm going to be growing from. I don't ever want to take a movie just for the sake of working.
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The two don't necessarily translate, especially if you're a prize fighter: you've fought all your life, you've fought all these fights, and now you're trying to do a movie. You see that happen a lot - a lot of professional fighters don't necessarily make it so well into the movie world.
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I love to read things that I'm sure won't make a movie.
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I want to be in a 'Final Destination' movie.
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I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
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I'm in the worst place you can be. I sell magazines and not movie tickets.
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Setting a movie in an earlier age gives it a mythical quality.
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Tarantino is a spoiled little white kid. He can do any movie he wants and nobody can do anything about it.
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I think of making a movie in such a romantic way.
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But it was not possible to do this movie, in this matter of time, without a solid rehearsal period.
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Rom-coms have been one of my favorite genres of movies since I can remember. My favorite movie of all-time is 'Four Weddings and a Funeral,' and then 'When Harry Met Sally,' and 'Annie Hall' is top five.
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Rob Lowe, who I thought was really good in the movie [ Bad Influence], had his performance overshadowed by this sort of tabloid approach to him and the movie.
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When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise there's no story.
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I had a really great performance with Steven Tyler in the movie 'Be Cool.' I performed 'Cryin',' so we recorded the song beforehand. But I didn't get to meet him until I hit the stage with him, and we had a live performance with 30,000 people in the audience, and that was for the movie.
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3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
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You can get good performances in quite sizable roles from people who have never been in front of a camera, people who maybe have never been in front of a movie theater.
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The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a Hughes version of a novel by Gabriel Garcia Marquez.
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Making films can be very lonely, and that's the part I don't like. I don't want to feel like I'm pressing 'pause' on my personal life to make a movie. I want to feel like I'm still creating relationships and things are moving forward.
