Movie Quotes
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'Play It Again Sam's opening shot is the same as 'Purple Rose's final one: a close-up of a face, rapt in a movie house. I've certainly felt that in my life. I've been known to cry watching Gene Kelly.
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That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.
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You have to write a good score that you feel good about. At least, you're supposed to. But, if the director hates it, it ain't going to be in the movie!
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When I grew up, there was still black and white TV. I was told to never get out of bed once you're put to bed. I'd sneak down the hallway, try to avoid the creaking floor boards and go in and watch the 'Midnight Movie.'
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If I have to made a Daredevil movie, I will take a completely different direction. My vision of the character is much more a drama. There will be a 1st part in the child hood of Matt Murdock and the universe of Hell kitchen. Something in the universe of the first Rocky Balboa.
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I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.
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It may be a mistake to say this, but I know my limitations as an actor and I know what I can and can not do. Robert De Niro can do everything. I can't. A 'Highlander' movie is basically my thing. What I'm attempting to do is develop my ability as an actor and try to be the best I can be in the fantasy/action genre.
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Tarantino is a spoiled little white kid. He can do any movie he wants and nobody can do anything about it.
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I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
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It's different for each individual. It's different when you talk about homosexuality. It's different when you talk about a malady like deafness. Everybody might have a different response to that and that's what makes it an interesting subject to throw in a movie.
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What you care about [movie] is whether it's moving you, or whether you're caught up in it.
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You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.
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Kids want you to take them to whatever kid movie is opening, and you just hope it's good because you're going to buy a ticket, no matter what. If it's no good, you kind of drape your arm over your kid so they don't get smashed, and you take a little nap.
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And then I went to visit my sister in the states and all of a sudden it was just like, it's like... it's like the movie Wizard of Oz when all of a sudden it changes from Black and White to glorious Technicolor.
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Don't set out to make a scary movie and then flinch every time you're supposed to scare somebody because you're afraid of being MPAA or you're afraid of your own demons or whatever.
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I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.
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I'm not the type of person who goes through all this effort for a movie, and then doesn't care if anybody sees it. I want them to see it, and I want them to see it on the big screen.
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Growing up in the 80's, I think a lot of us saw things that were "new," an experience we don't get too much of these days. We saw things that were never done before. When Star Wars first came out, no movie before that had ever looked that way.
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I try to look in the future and think backwards. That is when I am at my most comfortable. Because then I am just like the movie, 'Back to the Future.'
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I think one of the biggest things is the budget.For a studio, becomes a very big challenge to make sure that movie will work even better on every level. As an actor I don't think in those terms when I make a movie.
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I think the way you make a movie dictates the movie that you make.
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Marvel has, like, 9,000 characters. They could do a horror movie tomorrow and call it Marvel. They can do anything.
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'Point Break' is a movie that I and all of my friends grew up loving, watching all the time, quoting, living and being.
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At this point, I don't get hired a lot because people don't think I could finance a movie.
