Movie Quotes
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I was always interested in creative writing growing up. From junior high on, I was writing short stories. I also grew up watching movies. My father would take me to everything. Most weeks, I could open the paper having seen every movie listed.
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I was not a kid who watched every movie. I watched a very small number of movies over and over again.
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Kids want you to take them to whatever kid movie is opening, and you just hope it's good because you're going to buy a ticket, no matter what. If it's no good, you kind of drape your arm over your kid so they don't get smashed, and you take a little nap.
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As a child I always steered clear of science fiction, but in the autumn of 1977, the bow-wave of publicity for the first 'Star Wars' movie had already reached me, so I was eager for anything science-fictional.
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I think one of the biggest things is the budget.For a studio, becomes a very big challenge to make sure that movie will work even better on every level. As an actor I don't think in those terms when I make a movie.
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Years later I made a movie with Wayne Newton, who has Arabians.
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I thought we were making a nice little movie. That's how it was regarded by everyone else, too.
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If I thought there was any hope of turning 'World War Z' into a movie, I wouldn't have written it as a giant, epic, global story, because that requires a giant, epic, global budget.
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You have to take a wheelbarrow full of money and roll out and try to make a movie out of it. But you run out of money eventually, and then it becomes painful and it becomes a struggle and time will kill the enthusiasm!
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I'm really not a TV junkie... OK, I kind of am a TV junkie, but I'm much more of a movie junkie - my junk food is romantic comedies I've seen a million times.
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The most powerful Vietnam movie, to me, was 'The Deer Hunter,' which was more about what happened to the folks who went and about their relationships.
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I was trying to get into the business from a young age, but I don't think I really realized how much I loved it until I booked my first movie and found myself in New Zealand for six months filming Bridge to Terabithia.
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The modern cineplexes are mundane, dull boxes. But 'The Majestic' pays tribute to the movie palaces that made people feel like royalty. It honors a time when pictures helped Americans get through grim periods like the blacklist and the war.
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I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.
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Star Wars - the movie I saw 12 times as a 17-year-old. The movie that began a cultural and creative universe that now spans generations. For me to be a part of this in The Clone Wars is a dream come true.
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My mother loved movies, and I loved movies like she loved movies. So I wanted to do that. I'd send away for movie magazines - the old thing of everybody wanting to be a star or whatever.
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Really interesting genre films, especially monster movies, evoke the fears of the times intentionally. Our starting point was 'Godzilla' - the original movie was released less than 10 years after Hiroshima, and it's a classic in Japan.
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In television or a movie I bring my own ego and consequently can mess up. In the theatre I learnt very quickly to shut up and listen. Now I am able to get out of my own way.
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The reality is that each movie has got to be seen in its own light.
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That's the best thing about being an actor. If you're in a baseball movie, you walk away knowing way more about baseball, or if you're in a sci-fi film, you learn way more about Comic-Con, and so I loved all that.
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No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.
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My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.
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In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
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My favorite sci-fi movie of all time is 'Close Encounters of the Third Kind.'
