Movie Quotes
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Sometimes you feel all alone. You come out of a meeting, and something sexist has been said to you: That movie will never be made with that female lead. And you think, 'How am I ever gonna get another job?' When you hear other women having the same experiences, it makes you feel like, 'Well, I'm gonna keep going, and we're gonna fight this system.'
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I think I've matured to a great extent. I think that I want different things now. That it's not about the celebrity status that you receive because you're doing the next hot movie. It's about doing good work.
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I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.
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There are so many details in a movie that it's amazing how much work you'll do to change what adds up to not that much material.
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Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.
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There's a look people get in their eyes when you're talking to them and they're not seeing you, and you know it's because they have a movie running through their head.
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No studio in Hollywood wanted 'Cold Mountain.' None. No one wanted 'Ripley,' no one wanted 'The English Patient.' That tells you there isn't really an appetite for ambitious movie-making out there.
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The movie wasn't a hit, although it did well in Europe for some reason.
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Designing a house is like doing a movie: Once you're done, you want to say, 'I hope you all enjoy it.'
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Comedies don't get nominated for Oscars. It doesn't happen. So when we set out to do a movie, it's not what we're thinking about.
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Wouldn't it be great to see a line in all movie credits that truthfully says, 'Nobody was harmed in the making of this film, and at the cast party, all animals got a belly belly belly rub.'
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I love to travel, and I think being whisked away somewhere for a vacation is a pretty amazing date. But, I'm really into the basic movie and dinner. It's not where you are but who you're with that really matters.
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Any asshole can make a good movie for $100 million. I think it's way harder to make a movie with no money, and to start with no contacts and work your way up to international productions.
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It's nice to be known for a pretty great movie.
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'Take Shelter' is a tough movie because there's no humor in it, so there's really no way to judge how you're doing - whether people are still with you or not.
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I watched movies, obviously, just like anybody else, but there was nothing to make me think, 'I'm going to go to L.A. and become a movie star,' or anything like that.
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I've never seen a good tennis movie. They all were terrible.
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The first Disney movie I saw I think was 'Snow White.' I loved all the Disney princess movies.
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I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.
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I can't decide if this movie is so spectacularly, breathtakingly dumb as to induce stupidity in anyone who watches, or so brutally brilliant that it disarms all reason. What's the difference?
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A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.
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The most intense joy, lies not in the having, but in the desire, Delight that never fades, bliss that is eternal, Is only your, when what you most desire, is just out of reach...Anthony Hopkins, from the movie Shadowlands, where he plays C.S. Lewis
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We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.
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I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
