Movie Quotes
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I love 'Child's Play 2!' I love Don Mancini. That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant studio horror movie - but I liked the script, and I thought that was such an important theme because I don't think adults listen to children enough.
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In the olden days, a couple could be in every movie together, but it's just not like that anymore.
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I do my best not to have any expectations when I go into a movie because it's not fair.
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We set up a beta site, a test site, with movie, music and book reviews. If you're reading them and you want to buy a book or a ticket for a movie that's reviewed on the site, you can do that without leaving our site.
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It's not the number of trucks parked outside that make a movie interesting but if you have more money, you have more time. More time enables you to try out other possibilities or follow an interesting lead. I don't like indulgence, but to have more possibilities is always more interesting.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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The story of the movie [Romeo + Juliet] is timeless. It's relevant then.
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I cry very easily. It can be a movie, a phone conversation, a sunset - tears are words waiting to be written.
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There's nothing worse than making a good movie that doesn't get seen.
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People ascribe a certain kind of silliness to the movie business. Everybody feels like, "In the movies, they do crazy stuff."
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You really could call the new TVR Cerbera heavy metal were it not fashioned from plastic. The best way to experience this car is to be about seven miles away. As it comes toward you, it's like being in a horror movie. The monster is getting closer. The Thing. The Blob. Terror has no shape. But God, what a noise.
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In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
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You don't make a movie, the movie makes you.
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Setting a movie in an earlier age gives it a mythical quality.
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I find that the projects I enjoy signing up to at the moment are with a director who's interested in the script - isn't completely sure what the movie is and isn't concerned about it. He's just interested in going on the journey and discovering it.
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It's funny to see the finished product of a movie, stuff that's so beautiful, and to remember the particulars.
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We always set out to just make a great movie.
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Every actor I ever meet goes, 'Ultimately I plan on having my own company and write and direct,' but yes, I too would love to write and direct a movie. I want to do a play, too. I want to do it all.
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I do believe very much in movie as a one-man-show. I think that where I've watched movie go wrong, it's usually because the dread committee has been interfering with it.
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My solo novel 'Icons' was optioned by Alcon Entertainment, the folks who made the 'Beautiful Creatures' movie, and that's gotten as far as a script, but no news yet.
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Sometimes I'll be flipping through the channels and I'll see a movie I'm in. And I'll probably stop and think, 'Sure, I'll watch this.'
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We're the country of movie stars because the stars, like ourselves, represent a kind of extended infantilism, beauties waiting for the big chance.
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I remember, especially like when I was in high school, going to see like Dawn of the Dead and it was like mayhem in the theater and you could barely even watch the movie. It was so fun.
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When we were shooting the movie, and of course in the editing room we had to make choices, but the shots fall almost exactly where we thought they would. They're not about content; they're never meant to be about what just happened. There's that weird phenomenon where the more you like a movie the more your mind wanders and goes all over the place.
