Daniel Wu Quotes
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I really dislike the fact that Asian males are constantly emasculated, whether it's American TV or films. You see it all the time, and it's so weird that they don't see sexuality in Asian men.
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I've been lucky enough to build a career outside of America, where I got 18 years and over 60 films of experience.
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There's a huge interest in the Chinese market, and Hollywood has a huge interest in the Chinese market with films like 'Transformers' making more money over there than here.
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I came from doing Wushu and other martial arts, and then I got into movies, and I had to learn that as well - the language of martial arts movie fighting. It's a different thing; it's a different kind of logic.
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It's not at all my objective to become an Asian-American star.
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I think filmmaking is a gamble anyway, right? You never know the results from the start.
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In my 20s, I could just power through stuff and be fine, but now, in your 40s? It's kind of like Kobe Bryant. He plays basketball a little bit differently than he did when he first started out.
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Bruce Lee was the first star I idolized. Growing up as a Chinese American, there weren't many people like me on the big screen.
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My sister Gloria asked me to try modeling.
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At Diversion, we want to do genres that people are not doing - or, if we're doing genres that people are doing, to do them in a fresh way.
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Because my master was this renaissance man, I wasn't just learning a fighting style, I was learning how kung fu permeates all aspects of life, from eating to healthy living to mental state.
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To do eleven fights in four months is pretty crazy. In some shows that we do in Asia, there are three or four fights over a six-month period, so you have time to recover and gain your stamina.
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For us as Asian-Americans, I think the bane of our existence is one stereotype - 'Sixteen Candles,' the Long Duk Dong character.
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I worked with Jackie Chan for a long time, and seeing how much pain he's in, I realized that that might not be a sustainable career for me. So I started to develop my career as a dramatic actor rather than as an action actor.
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For Mandarin scripts, there's software now where you can just insert the Chinese script, and it comes out all in pinyin.
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Asian Americans haven't had as many opportunities as other people to build their careers in Hollywood, just because there hasn't been that much of an interest, especially in Asian American males.
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I was a hyperactive kid, and it took awhile for me to find the right teacher. My master was a Shaolin kung fu teacher, but he also taught tai chi, Chinese medicine, brush painting - he was adept at all facets of Chinese culture.
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Part of the Hong Kong style is the fact that a lot of the performers can perform the moves, and we don't over-rehearse this stuff.
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I definitely don't think I'm going to have a mid-life crisis.
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I really want to take time and be in the moment with my kid for at least the first year. I know she's not going to remember that, but it's really for the family chemistry.
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I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.
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What we did with 'Tai Chi Zero' and 'Tai Chi Hero' was break down the martial-arts genre and make it younger, hipper, and kind of cooler for the younger kids.
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I ended up falling in love with the whole movie-making experience.
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I really feel that Hong Kong is my home, and Hong Kong is my identity as an actor.