Movie Quotes
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You know when you are doing a movie like Ted Bundy you try to as much as you can keep it upbeat when you are not working on the scene, so you cannot totally get disgusted and lost in it and also from my point of view I was ignorant to it all what was kind of going on.
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I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
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I like movies. Movies have afforded me a modicum of luxuries. The thing about the movies is, if you're bad in a movie, you're bad forever.
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In 'Tintin,' it's like a live-action role. You're living and breathing and making decisions for that character from page 1 to page 120, the whole emotional arc. In an animated movie, it's a committee decision. There are 50 people creating that character. You're responsible for a small part.
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I went to Dave Eggers with this idea of doing a movie about a guy going through some sort of Frank Capra-esque journey.
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I have an issue with the commercial aspect of moviemaking: I don't see why a movie can't make a lot of money and also be good.
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The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored.
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I learn so much more in an ensemble movie.
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I'm on a crusade to get movie directors to get their science right because, more often than they believe, the science is more extraordinary than anything they can invent.
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Whatever it is that makes your movie unique is something you should embrace.
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You cannot base a whole movie on just the imagery alone. It has to be the story and the characters.
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Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
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A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
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Ranking among the greatest Christmas movie classics, 'It's a Wonderful Life' tells a beautiful story about the priceless value of relationships.
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We've all aged some, but I just did, this past summer, another Rockford Files movie with the whole gang out there, Joe Santos and everybody else.
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Things go away and projects crumble and disappear, or you make your movie and it comes out and no one watches it.
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The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
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With most other genres, you need movie stars. With horror, you just need a story.
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I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?
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A Bond movie falls into a specific genre, and you have to provide certain elements. You must respect the fact it's essentially about girls, guns, gadgets, and big action.
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'Monster Trucks' is like a big action movie.
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The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view.
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I'm not going to ruin my movie because of some stupid ruling that it has to be ninety minutes long. That's just like adding three more plates to the last supper, or an extra wing to the Pentagon.
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If some actors were more realistic and others bordering on caricature, that would have been imbalanced. It would be as if we saw an airplane in a 3 Musketeers movie.
