Movie Quotes
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I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.
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When it's a bad movie you want to release it quietly. You try to keep it a secret like an STD.
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My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
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I usually just pick a genre of movie that I feel like saluting and then go off and come up with something that I can sort of pay homage to. That's the great thing about our show is we've sort of created a landscape for 'Psych' where we're kind of allowed to go off and give shout-outs to movies that we love, genres that we love.
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What are we blaming? Is this Vietnam? We made a movie, it didn't make much money. I'm gonna be really happy if somebody watches it in 10 years' time and really enjoys it.
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We've always been fascinated with movie stars and singers, but the fascination with people who really have nothing to offer is something new.
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You never know what to expect when you're a writer visiting a movie set.
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I want to make my own movie.
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Eventually I got the call for 'Iron Man,' and I read sides that had nothing to do with what I did in the movie, and I performed it once while no one was in the room - it was videotaped, and I'm sure Shane Black was watching it from his helicopter or something. And then I got a call the next day that I was going down to shoot it.
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I don't know if I'm going to do any more acting. It's a great job, you know? Make a movie? Why not?
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Remember that movie Independence Day, where invaders were coming from outer space and the whole world was united against the invasion? Why can't we be united on behalf of our planet? And that's what I want to do.
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Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
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I did a movie called Marathon Man and it was one of my best memories.
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I know the responsibility that entails from telling a story. The one thing I despise the most is when I go to a movie and I see a whole bunch of lazy actors making me waste my time and money.
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It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
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What happens is this sort of bleed-over from the tabloids across your movie work. You go to a movie, you only go once. But the tabloids and Internet are everywhere. You can really subsume the public image of somebody.
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I do, I do!. There were songs like Ryan Adams' song 'Come Pick Me Up' that was sort of part of the writing. The Patty Griffin song 'Long Ride Home' you just try and earn with your script. Most great songs are their own movie without your help. So you just try to earn them really.
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If I was producing something, it wouldn't make sense to me to cast somebody because of who their father is because that doesn't put anyone in the seats in the theatre. I wouldn't go to a movie because that person's father is so and so.
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It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens. There are other things I enjoy doing, and I involve myself in them.
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It's nice to create a character, not just within two scenes, but within the journey of a whole movie. It's fun to do that.
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It's a huge challenge, a huge responsibility. Bond is a huge iconic figure in movie history. These opportunities don't come along very often so I thought, 'Why not?'
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I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.
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Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.
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I don't know the figures, but Hollywood must buy 100 rights for every movie that actually gets made.
