Movie Quotes
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I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'
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With 'Pete's Dragon,' Disney was very excited about the movie I wanted to make; they were very supportive of it, and it was a smooth process. I was really surprised by that.
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Just because it's physically impossible for Steve Buscemi to be in every movie doesn't mean he's not capable of dramatically improving them all.
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It's hard to be a celebrity nowadays. It's not about your track record anymore. If you have a great movie, you're good. If not, people are ready to write you off. I think the only ones who are really winning are people like Will Smith. People go, 'Oh, it's Will Smith. I've got to see him, whatever he's in.'
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The worst part was waiting around. Sometimes you are ready at 9 a.m. and you don't start until the afternoon. Occupying your time while you wait is the hardest part of the movie.
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I never put down a bad script and I never walk out of a bad movie because I'm always hopeful things will change.
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I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
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We aren't upset when Paramount makes a $200 million movie that flops, but if a charity experiments with a $5 million fundraising event that fails, we call in the attorneys. So charities are petrified of trying bold new revenue-generating endeavors and can't develop the powerful learning curves the for-profit sector can.
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I can never find a movie I want to watch, even though I've got hundreds to choose from.
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I did something that no brown-skinned man in the movie industry ever did. I made a brown-skinned man look very romantic - a matinee idol. If you think about it, what I introduced is historical because it had never happened before, and it hasn't happened since - not on that level.
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Things like the movie 'Memento' are interesting to me because our memories of the things we've done and how we've behaved form our notion of who we are, what our character is. So if part of that were missing, what does that actually say about you? And what does it say about your sense of responsibility for things if you can't remember them?
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Actually, 'Die Hard' was the first movie I ever saw in the theater. When I was a newborn, my parents were going stir-crazy in the house, and they put me in the bassinet, and I slept through 'Die Hard' in the theater as an infant.
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Now is a good time, 10 years ago would have been a good time, and 10 years from now it will still be a good time to see a dynamic, entertaining movie that's wall-to-wall Miles Davis where the music will hopefully spark some desire to know more about the man.
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Not disown my past or upbringing, but I'd admired American actors, really American movie star - particularly the rebel heroes of the '50s.
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As a first movie, 'The Hobbit' is not a bad place to start.
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Movie stars, rich people - oh, they have so many beautiful cars!
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That's what happens in a good horror movie: there are always metaphors of greater subjects like humanity and empathy and compassion. It's not about the action and scary moments: You really care about these characters because they're mirrors of our own reflections.
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My schedule is completely different doing a play than it is doing a movie, and I actually think it's a much harder schedule because you've got to do it eight times a week and you've got to do it good eight times a week and with different kinds of audiences who are cold or drunk or tired, whatever it is.
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'High Stakes' was a very bad movie that I was cast in as a lead.
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I'm just so comfortable with my hard work that I'm not worried about if I didn't get a job, or I didn't get that movie, or they didn't like me. It's like, 'It's OK. I can go play golf now. Have a great day.'
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Everything I do from now on, I'll have a mustache. I can promise you that. I don't care who I have to convince. If you see me with a mustache in a movie or on stage in the future, you'll know that I pitched the idea.
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A movie is made for an audience and a film is made for both the audience and the film-makers.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
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Yeah, I had an idea to make a very scary movie, based on a kind of serial murderer that preys on tourists.
