Working Quotes
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From working with Ralph Lauren, I started to understand what it meant to build a brand. There were times when I was working there that it seemed so repetitive. At the time, I didn't understand what was happening. But when I stepped out of it, I realized what he was doing was achieving a signature look and reiterating that. That's why when you think about a polo shirt you think about Ralph - he owns that garment.
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Whenever I'm not working, I try to be in classes as much as I can.
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I'm interested in going places that I haven't been. And I'm interesting in working with people that I feel are dangerous and sort of push me in different places.
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When I look at nature I feel as if I'll be able to paint it all, note it all down, and then you might as well forget it once you're working.
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Few of us get anything without working for it.
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The Academy Awards are obscene, dirty . . . no better than a beauty contest.
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Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog.
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I am enormously pleased to become a part of the Harvard community once again. I look forward to working with the students and faculty members at the Law School and in the History Department, and to experiencing the rich interdisciplinary environment at the Radcliffe Institute.
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We shouldn't have someone working in the Oval Office trying to discredit and smear a private individual who's just speaking their mind about an important issue facing the country. That is not going to move our nation forward.
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I had so many offers after 'True Blood' for things that were someone in the same vein, but nowhere near Alan Ball's vision. Or something that was over-the-top and fantastical. And I've always wanted to play the regular, working-class mom, and I've never really had the chance to do that.
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I first came to London when I was 22 and working as a roadie. Having watched the 'News At Ten' all my life, I thought Big Ben was going to be massive, but I was underwhelmed.
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The only planning I do is about a minute before I play. I desperately try to think of something that will be effective, but I never sit down and work it out note for note.
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You try to take it game-to-game and keep working.
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I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
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I went to Europe with Spencer Tracy. What a thrill, working with John Ford when I was a kid.
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I think I'm always writing, and I'm always working, and I'm always trying to be creative. It's just something that I do all the time. I watch TV, and I'll play guitar.
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I look forward to working with the NRA to come up with ways in which we can use common sense approaches to reduce the level of violence that we see - in our streets, and make the American people as safe as they possibly can be.
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You can't just do cheap CGI and think that's going to work. It doesn't.
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I read, with a kind of hopeless envy, histories and legends of people of our craft who "do not write for money." It must be a pleasant experience to be able to cultivate so delicate a class of motives for the privilege of doing one's best to express one's thoughts to people who care for them. Personally, I have yet to breathe the ether of such a transcendent sphere. I am proud to say that I have always been a working woman, and always had to be.
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I just got my own method of just trying to be really good and I guess it’s just a matter of working at it.
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It's important for everyone - working moms especially - to find moments to ground themselves and connect with their own breath.
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We were very - we were a working family, and my father had this very simple philosophy, simple working class approach. If you spoke to my father and said, "Mr Smith across the road, what do you think of Mr Smith?", he'd only - he'd only say a couple of words. He'd say, "He's a worker", and that meant this bloke got up in the morning, went out, worked, brought his money home, fed his wife and kids, housed them, got them to school, educated them, made sure they were safe and all that. It had so much connotations to it.
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I'm sure there are folks out there somewhere who are working on that now.
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The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.
