Performance Quotes
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Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
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An ounce of performance is worth pounds of promises.
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I have never used Auto-Tune in a live television performance, and I have never used Auto-Tune in any of my concerts. That is a promise.
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In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
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The kindest word to describe my performance in school was Sloth.
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Luckily, I work for a company that promotes on performance.
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On the eve of the strike, we saw very, very poor performance.
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It's a cultural change. What we want is to mirror our student bodies (in academic performance and graduation rates). This is putting consequences on people who are not headed in that direction.
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I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.
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For my money, when you're doing an on-camera performance, unless it's for something particularly stylised, you are, by and large, striving for naturalism.
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Helping set the day's agenda and deciding what we used and editing it, that was a journalistic high point. I liked reporting as well. Just doing the news - the live performance - wasn't important. Working on the desk was.
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I was once an extra in a Bruce Springsteen video where they did a live performance video at Tramps. I forget the name of the song.
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When the audience enjoys your performance, you feel like a magician who is doing magic. It's a great feeling!
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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I love musicals; I love the ballet, opera, the circus. It's all performance to me.
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The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.
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I wasn't happy with my performance at the World Championships in Daegu. I had an unbelievable race in the heats, but misjudged the semi and finished last.
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I'm never certain of a performance - my own or the other actors' - or the script or anything... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately.
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We have this idea that extroverts are better salespeople. As a result, extroverts are more likely to enter sales; extroverts are more likely to get promoted in sales jobs. But if you look at the correlation between extroversion and actual sales performance - that is, how many times the cash register actually rings - the correlation's almost zero.
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Everybody eats a little differently, but the more where you are aware of what you put in your body and how it affects your performance, the better opportunities you have. And that's what I'm trying to do.
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I'm very motivated by the occasional creative payoff that comes when something goes really well, be it a song, a recording or performance. The payoff is enormous - when you get it. Most of the time, though, I'm filled with self-loathing and general frustration at the limitations I have as a musician.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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Sheena James' performance was nice to see on Saturday.
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Performance stands out like a ton of diamonds. Nonperformance can always be explained away.
