Singing Quotes
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Praying is another way of singing.You plant in the tree the soul of lemons.You plant in the gardens the spirit of roses.
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Not with a Club, the Heart is broken Nor with a Stone - A Whip so small you could not see it I've knownTo lash the Magic Creature Till it fell, Yet that Whip's Name Too noble then to tell.Magnanimous as Bird By Boy descried - Singing unto the Stone Of which it died -Shame need not crouch In such an Earth as Ours - Shame - stand erect - The Universe is yours.
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I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
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Overall I think the show went well, kudos to Miss Jeanie It was well rounded. From artwork to singing, to spoken word to short films, I think it definitely stimulated the audience's senses.
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I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences a lot of my approach. And I think in many ways, naturalism has ruined movies.
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As a girl, I abandoned a promising singing career due to violent harassment by Islamists.
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It's people, not possessions, that make home for me. It's not that I get much time to entertain, or any of that, what with the television production schedule and, now, singing concerts all around the country and making recordings.
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In my living room, I was always playing guitar and writing songs and singing them. My dad and I would always sing together - only for friends and family, but always since I was a little girl.
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There was one emotional outlet my people always had when they had the blues. That was singing.
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I've been training myself and listening to other artists and seeing where their emotion comes from, singing a heartbreak song when they're in a happy relationship.
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But I love singing, and I've been singing backup for friends' bands.
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The birds that were singing in the dew-drenched garden seemed to be telling the flowers about her.
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Verse, singing, and speech have a common origin.
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Recreational talking is, along with private singing, one of our saddest recent losses. Like singing, talking has become a job for trained professionals, who are paid considerable sums of money to do it on television and radio while we sit silently listening or, if we're truly lonely and determined, call the station and sit holding the phone waiting for a chance to contribute our two cents' worth.
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They always ask me the same questions. Where was I born? When did I start singing? Who have I worked with? I don't understand why they can't just talk to me without all that question bit.
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I'm sure there's some awful video of me singing when I was, like, 13 or 15 at my old school that my dad didn't take down off YouTube.
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My mother gave me singing lessons; that was totally painful, because I couldn't do what she wanted to hear. She used to say: there's more there, there's more voice but I just didn't want to give it to her.
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I guess I could be singing about Superman, or about Zarathustra coming down from the mountain, but in my mind I was singing about Julian Assange. I wish I could say that Nietzsche inspired my lyrics but all I can honestly say is I was inspired by the graphic design of these '70s paperback covers for Beyond Good & Evil and The Birth of Tragedy and The Gay Science.
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One of my favorites is 'The Sound of Music'. When Julie Andrews runs through the hills singing her head off, I always wish that a gust of wind would blow her skirt up.
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I think I'm fascinated with history and - just in general. And I'm always interested in how did - how did this come to be? Why is this the way it is? And even singing classical voice, I quickly became more and more interested with early music, baroque voice. And that became an obsession to me - just figuring out how - who are the ancestors of whatever it is.
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When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.
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I got my first break and became a singing waiter at eighteen or nineteen. I couldn't make a living at it. I quit. Then I got married and sold aluminum siding. My wife had problems physically. It was not good.
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I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.
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The voice muscle doesn't last forever. I have a lot of friends who are classical and opera singers. My friend Beverly Sills stopped singing in her 50s, so I'm careful with mine. But I'll keep going as long as it lets me.
