Records Quotes
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I noticed when I was writing the book that I would tend to mention 'outside' songs right through to about the middle of the 70's. And then all of a sudden that starts disappearing from the book, and just about everything I'm talking about from that point on are the records that I'm totally involved in.
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The first thing people look at with Four Seasons records is the vocals. But for me, the drum fills and rhythms are as much a part of it as anything. They're the base on which the harmonies were built.
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We do archive medical records and things of that nature that are required by law. But in terms of general data, e-mail, it's not as extensive.
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I like that band Get Hustle. They're cool live. I haven't heard their records, though.
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Get down with your old Allman Bros. records!
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Keeping this facility Guantanamo prison open is contrary to our values. It undermines our standing in the world. It is viewed as a stain on our broader record of upholding the highest standards of rule of law.
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It is quite clear that history will record that Margaret Thatcher was the greatest Prime Minister this country has had since Churchill.
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Records are the only thing that remain of an athlete, the only thing that people will remember. If I want to ensure that people don't forget me, I can only stop once I've set the bar as high as possible for anyone coming after me.
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I'm buying records a lot, like, every week I'm just buying old reissues or old originals or new records that I have heard about.
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You'd be surprised how many records we've had to sell to pay our debts.
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I really just concentrated on putting out solo stuff on my website, just trying things, but this time we thought it was time to do a proper record, where you make a bit of a fanfare about it. Something that says "listen everybody, I'm here".
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Some records are timeless, and some absolutely sound of their day.
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Science began to be powerful when it began to be cumulative, when observers began to preserve detailed records, to organize cooperating groups in order to pool and criticize their experiences.
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All I've ever wanted to do was play music and go on the road and make records.
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The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
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Bands that say they don't care about how their records sell are liars.
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Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
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I'm playing to the sort of people who like the same records.
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Every single record I have is a fossil.
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Now I'm at a point where I decided I'm going to be in the studio for a while, at least until I finish this record I'm working on now. I should have two, three, four of the sessions that I had that were similar to the sessions for Peace Trail before I have a complete record.
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Bands like - even Kiss to a degree - bands like Kiss and Motley, Ratt, Poison, Bon Jovi - I just think the days of those bands going out and selling ten or twelve, fifteen million records like they used to do back in the day, it's not happening.
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My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
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I want to be in cahoots with bands who want to make the record of their dreams.
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I'm not beholden to the public, and neither are the public beholden to me or my songs. I'm very much of a populist on those terms, I believe that the song is no longer mine anyway. I like to process the dispossession that happens when you play something live. I don't have a clue as to how these songs are going to plan out, whether they're going to be on a record. I don't know yet.
