Records Quotes
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Making good records tastes good in your mouh. And when that record sells, it tastes even better.
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Even if someone doesn't have birth or health records we enroll them, ... Everybody is doing everything they can to support these evacuees because they are homeless.
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Anybody who's putting out records is probably not making money at it.
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I didn't earn that much in record royalties. You've only got to look at my sales in 1980 to figure that one out.
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Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.
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In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
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Nobody sells records any more, and the only way you can actually do anything is to go out and play live.
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I don't make my living making records. Maybe someday I will.
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I get off on hearing other people's voices. I like voices: they're my favourite things on records.
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The thing I do, really, is a communication with audiences more than any achievement through records.
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I'd come to the point where I wasn't really putting out creatively. I didn't seem to have anything to say in that period of time after the '74 tour. There was nothing definite that I wanted to record.
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The scratches in Yoko Ono records are moments of relief.
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Dad always says, 'The Yankees got all the records and we got the rings,'
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I'm trying to make pop records for the middle-class, lower-middle-class - pop for the 99 percent.
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The main thing in measuring integrity is someone's motive and intent, not how many records they sell. Our intent in Ministry was never to be big. We just wanted to make enough money to live and to buy a studio, which we have done in Austin.
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You know, your ears record. You might can sing a song once you hear it.
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I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
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I don't want people buying my records for this summer's hit. I want people buying them because they're interested in what Ministry will have to say in the future.
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I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
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A lot of people are promoting records that are just throw-it-agains t-the-wall-see- if-it-sticks meaningless bullshit. Everybody has the responsibility to do the right thing and promote artists that mean something.
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This Australian side is an amazing side. England are a very good team, but Australia are better. The records of the individuals alone reveal that. But we gained a lot of respect for England.
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I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.
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I go by records and Bob Paisley is the No 1 manager ever!
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If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
