Records Quotes
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I'd come to the point where I wasn't really putting out creatively. I didn't seem to have anything to say in that period of time after the '74 tour. There was nothing definite that I wanted to record.
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I don't make my living making records. Maybe someday I will.
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Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.
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I get off on hearing other people's voices. I like voices: they're my favourite things on records.
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I deal with everything in my life in music - everything that ever happens to me just finds its way into a song or onto a record. I need it. It's like my life jacket. If I didn't have that way of processing those feelings, I'd probably be a murderer.
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I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.
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The scratches in Yoko Ono records are moments of relief.
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A lot of people are promoting records that are just throw-it-agains t-the-wall-see- if-it-sticks meaningless bullshit. Everybody has the responsibility to do the right thing and promote artists that mean something.
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I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
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I don't want people buying my records for this summer's hit. I want people buying them because they're interested in what Ministry will have to say in the future.
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You know, your ears record. You might can sing a song once you hear it.
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Making good records tastes good in your mouh. And when that record sells, it tastes even better.
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The first records I heard were from Dizzy Gillespie and people like that.
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I've learned after doing a couple records that if it feels good and it's easy, then that's usually a good sign. And that feeling sorta went with us to Nashville - everything was just natural.
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We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
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The day of judgment will be a day when the skeletons come out of the closets! And each of us will be standing there to face the record.
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When people pay to see you live, they connect with you on a much deeper level than people who just buy your records.
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Dad always says, 'The Yankees got all the records and we got the rings,'
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I go by records and Bob Paisley is the No 1 manager ever!
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Turn over the pages of history and read the damning record of the church's opposition to every advance in every field of science. . . .
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I take myself seriously and want my image to me more than just something aesthetically suited towards selling records.
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It is a discreetly sensual act of disclosure, showing their pieces together in public. And assembling these lacquers also records their assignations: the collection records their love-affair, their own secret history of touch.
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Selling records is fantastic. But if you're not loving what you do, and if everybody is throwing knives at you, it can get old very fast.
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I’ve always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times
