Records Quotes
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I started buying records in the '80s. I listened to everything new wave, disco, funk synth-pop, rock, but in my house we were listening to bossa nova, tango, and folk.
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I'd come to the point where I wasn't really putting out creatively. I didn't seem to have anything to say in that period of time after the '74 tour. There was nothing definite that I wanted to record.
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We don't want to be as big as U2. I like U2. It's a band that still makes good records. We'd like to make a couple more good records.
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We went through the records and we found over five hundred of his patients who were alive and well five years after their treatment, with no cancer. And Dr. Burton didn't selectively give us these. These were "take what you want. Here are the patients I treated." So there was statistical improvement - more so than any cancer institution in the United States could show.
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Making good records tastes good in your mouh. And when that record sells, it tastes even better.
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I get off on hearing other people's voices. I like voices: they're my favourite things on records.
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I don't make my living making records. Maybe someday I will.
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I don't want people buying my records for this summer's hit. I want people buying them because they're interested in what Ministry will have to say in the future.
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Selling records is fantastic. But if you're not loving what you do, and if everybody is throwing knives at you, it can get old very fast.
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I've learned after doing a couple records that if it feels good and it's easy, then that's usually a good sign. And that feeling sorta went with us to Nashville - everything was just natural.
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We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
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I take myself seriously and want my image to me more than just something aesthetically suited towards selling records.
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I deal with everything in my life in music - everything that ever happens to me just finds its way into a song or onto a record. I need it. It's like my life jacket. If I didn't have that way of processing those feelings, I'd probably be a murderer.
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I'm always thinking about the next record. I've got like 20 different themes and then I'll scratch the themes. It's a learning process.
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Most Americans don't even understand what I'm saying in my records, but they pick up on the vibe, the vibration.
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You know, your ears record. You might can sing a song once you hear it.
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I go by records and Bob Paisley is the No 1 manager ever!
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It would be great to do a rock opera, but using more low-fi technology. I love shitty-sounding records.
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When people would ask me what I’m addicted to, I always said ‘music.’ And while they’d laugh it off like it’s a cliché, I’m actually a complete shopaholic when it comes to records. I’d literally buy 10 albums a week for years, so when I went to that Virgin Records and it said ‘going out of business,’ my heart stopped.
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I'd found that what I wrote and put out on records somehow was not fitting into how I perform on stage.
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My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
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I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
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Turn over the pages of history and read the damning record of the church's opposition to every advance in every field of science. . . .
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By the time we finish, it'll be silly the amount of records we've sold.
