Records Quotes
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I think it's important when you make a record that you know you're working with the people who are going to get the best out of you.
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Even if someone doesn't have birth or health records we enroll them, ... Everybody is doing everything they can to support these evacuees because they are homeless.
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In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
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I deal with everything in my life in music - everything that ever happens to me just finds its way into a song or onto a record. I need it. It's like my life jacket. If I didn't have that way of processing those feelings, I'd probably be a murderer.
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I love making records. That's my favorite part of the whole process. And I love playing live, but certainly getting the music on a disc that's going to live forever and be there forever, just every little detail drives me crazy.
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I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
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We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there.
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I don't make my living making records. Maybe someday I will.
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I think my records will always tend to be approachable.
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It's one of those records that will stand forever. I really can't imagine anyone touching it.
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Changes, cyclic or otherwise, within the solar system or within our galaxy, would seem to be the easy and incontrovertible solution for everything that I have found remarkable in the stratigraphical record.
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I go by records and Bob Paisley is the No 1 manager ever!
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Songwriters tend to make records instead of talking to people.
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The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
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I get off on hearing other people's voices. I like voices: they're my favourite things on records.
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I wanted to completely honor The REV and pay tribute to him and carry on the legacy that he intended with this record.
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We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
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When I read John Cage's book Silence, I was growing up in Louisville, Kentucky. For me, records were a mode of time travel and geographic travel, interfacing with a much larger world. So it seemed antiquated and backwards that Cage would be so down on them.
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When the audition for 'Cats' came up, even though I'd been making pop records, it felt like something I was attracted to.
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At the end of the day, you're just phonograph records.
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The relationship with a producer and an artist is really special. It's got to be love and respect, amazing mutual respect for each other, because that's what makes a good record.
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When you listen to early Leonard Cohen records or Joni Mitchell records, you feel like a window is being opened into someone's life.
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Dad always says, 'The Yankees got all the records and we got the rings,'
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You go through that stage where you're coming up with the concept, ideas and all that you need to make a record. It always feels like hard labor.
