Records Quotes
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I don't make my living making records. Maybe someday I will.
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I don't want people buying my records for this summer's hit. I want people buying them because they're interested in what Ministry will have to say in the future.
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There's not a platinum record hanging in my house anywhere. It doesn't exist here. I'm over it. They're all in the garage, wrapped up in bubblewrap.
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Certainly our records could be found in most of the mom and pop indie stores, but we still found there were a lot of major stores that weren't on the tip of knowing what was happening and weren't stocking our records as readily as they were stocking, you know, Guns 'n' Roses or Billy Joel or whatever the hell. That certainly changed, and it changed rapidly after Nirvana's rise, that's for sure.
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I get off on hearing other people's voices. I like voices: they're my favourite things on records.
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Songwriters tend to make records instead of talking to people.
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It's one of those records that will stand forever. I really can't imagine anyone touching it.
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When the audition for 'Cats' came up, even though I'd been making pop records, it felt like something I was attracted to.
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Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
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The first records I heard were from Dizzy Gillespie and people like that.
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To me, making records isn't work.
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We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there.
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When people pay to see you live, they connect with you on a much deeper level than people who just buy your records.
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Dad always says, 'The Yankees got all the records and we got the rings,'
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How lucky can one guy get? I was a runaway, and then I was in one of the biggest bands in the world. I've sold out every arena. I've sold millions and millions of records.
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It's a sad state when more people retweet than buy records.
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I'm a Top 40 record guy. I remember the hits and don't remember the flops. Something in my brain blocks them out.
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I go by records and Bob Paisley is the No 1 manager ever!
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The thing I do, really, is a communication with audiences more than any achievement through records.
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I didn't earn that much in record royalties. You've only got to look at my sales in 1980 to figure that one out.
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I had to have the record literally taken away from me. I am such a perfectionist.
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Even if someone doesn't have birth or health records we enroll them, ... Everybody is doing everything they can to support these evacuees because they are homeless.
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Of course you want to keep making good records, but I think there were certain aspects to the indie rock situation at that point where we were pushing the envelope a little bit too far. We weren't happy with the distribution we were getting, and a few other things. So for a lot of ways it made sense for us to jump to a major label right then, and it made sense in terms of challenging ourselves to put ourselves in new situations.
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Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.
