Records Quotes
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I only make records when I feel I have something to say. I'm not interested in releasing music just for the sake of selling something. Sade is not a brand.
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I don't care much about my personal record. I just want to be able to pitch in the playoffs.
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You see a documentary, you want to see it on Aerosmith or Jon Bon Jovi or Kiss, a band that's been established and sold millions of records and done something notable.
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Some records are going to be bigger than others. You're always going to be compared to your biggest record.
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Records don't have to be perfect.
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I’ve never intended to make religious records or records that preach some kind of point of view... If you’re involved with imagination and the creative process, it’s not such a difficult thing to believe in a god. But I’m not involved in any religions.
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I just wanted to go out and make a record that Ive always wanted to make since I was a kid.
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Turn over the pages of history and read the damning record of the church's opposition to every advance in every field of science. . . .
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But I'm not here just to make records and money. I'm here to say something and to touch other people, sometimes in a cry of desperation: "Do you know this feeling?
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The young people at the shows are all singing them right along with me, so I know that they have the records, they're bringing 'em out for me to sign.
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Spotify is returning a huge amount of money. We'll overtake iTunes in terms of what we bring to the record industry in under two years.
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Now, what of the entertainment that is available to our young people today? Are you being undermined right in your homes through your television, radio, slick magazines, and rock music records?
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All of my favorite records have vocals high in the mix, even if it's music that wasn't necessarily mainstream.
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When people pay to see you live, they connect with you on a much deeper level than people who just buy your records.
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I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
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I'm not anti single. I'm not one of them niggas that say "Aww record sales ain't everything." No. I wanna sell good. I would love a platinum record on radio and charts.
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This Australian side is an amazing side. England are a very good team, but Australia are better. The records of the individuals alone reveal that. But we gained a lot of respect for England.
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I am too conservative to use another studio than the one I am used to, so I "had" to travel all the way from France to Norway every time I wanted to record an album. That was about 3,500 km each way in a Lada Niva with a cruising speed of 90 kph.
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I have a habit of recording records very quickly - and not in a haphazardly way, not in a way where I'm not focused on details, because I'm a freak when it comes to that.
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If you want to be negative about the whole thing you can say all guitar bands after the Beatles were just a waste of time because the Beatles were the best. I think it's far better to give new records a try.
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I try and make little stories. Whether it's with a pencil or with bits of records, it's really the same thing.
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Records became much cruder in the last 20 years. Let's put it that way.
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They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
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We hooked up with a small label, and they gave us 500 records. I thought they would send them out to all the radio stations. They told us that was our job…do whatever you want with them.
