Records Quotes
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Records are one thing, and obviously, without hit songs, you don't have the opportunity to do your shows. But my live show has always been my selling tool.
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I only make records when I feel I have something to say. I'm not interested in releasing music just for the sake of selling something. Sade is not a brand.
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I’ve never intended to make religious records or records that preach some kind of point of view... If you’re involved with imagination and the creative process, it’s not such a difficult thing to believe in a god. But I’m not involved in any religions.
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To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
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When the Box Tops first started out, I couldn't play guitar much at all. Only after we had our first hit records did I start playing.
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The most personal track would have to be 'Love The Way We Used To.' It's one of the songs that I listen to outside of all the records that I wrote.
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I wanted to talk about my life. There is so much. I was 18 when I made the record, and I had a lot to say.
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Those record companies don't know what's happening at all.
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We were just hoping 'Prayin' for Daylight' wasn't a complete flop. Selling a million records wasn't even in our wildest thoughts.
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They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
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I try and make little stories. Whether it's with a pencil or with bits of records, it's really the same thing.
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Every time I felt low, I just put on an Elvis record and I'd feel great, beautiful.
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I think my records will always tend to be approachable.
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Anybody who's putting out records is probably not making money at it.
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I have a habit of recording records very quickly - and not in a haphazardly way, not in a way where I'm not focused on details, because I'm a freak when it comes to that.
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I am too conservative to use another studio than the one I am used to, so I "had" to travel all the way from France to Norway every time I wanted to record an album. That was about 3,500 km each way in a Lada Niva with a cruising speed of 90 kph.
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The square was finally cleared by armed carabineri with tears of laughter streaming down their faces. The event set a record for hilarious civic functions, smashing the previous record set when Baron Hans Neizant B ompzidaize was elected Landburgher of K oln in 1653.
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But I'm not here just to make records and money. I'm here to say something and to touch other people, sometimes in a cry of desperation: "Do you know this feeling?
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You know, the record business is much different than being artist on stage.
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The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
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I wanted to completely honor The REV and pay tribute to him and carry on the legacy that he intended with this record.
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I used to play my records aloud until one night my mother was like, "This is too loud. I'm not having it," and so I put on headphones. But the headphones didn't stretch all the way to my bed from the record player, so I had to sleep on the floor in order to hear the records. I slept on the floor right next to the record player until I was probably 19 years old.
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Records became much cruder in the last 20 years. Let's put it that way.
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Palaeontologists cannot live by uniformitarianism alone. This may be termed the Phenomenon of the Fallibility of the Fossil Record.
